Main outputs, Phones output, Aux send 1/mon – MACKIE DFX12 User Manual

Page 10: Aux send 2/efx, Main outputs phones aux send 1/mon aux send 2/efx, Aux send 1/mon output, Aux send 2/efx output

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7. AUX SEND 1/MON OUTPUT

To create a stage monitor mix, patch this

TRS output into your monitor amplifier’s input,
or powered monitor’s input. This jack can also
be used to feed the inputs of an effects device.

Each channel strip has an AUX 1 (21) con-

trol knob which adjusts how much of that
channel’s signal appears at this output. The
output from this jack is the sum of all those
active channels which have their AUX 1 knobs
set more than in the minimum position. Use
the AUX 1/MON SEND (41) knob (page 17) to
control the overall output sent to your monitor.

The output is not affected by the main mix

faders, or channel faders, or by channel EQ.

The five band EQ (27) can be applied to

this output using the MAIN/AUX 1 (28)
switch. A sample of the stereo effects can also
be added to your monitor by adjusting the
EFFECTS TO MONITOR (42) knob.

See AUX 1/MON (21) on page 13 for more

information.

8. AUX SEND 2/EFX OUTPUT

This 1/4" TRS output can be used to connect

to the input of an external effects device.

Each channel strip has an AUX 2 (22) con-

trol knob which adjusts how much of that
channel’s signal appears at this output. The
output from this jack is the mix of all those ac-
tive channels which have their AUX 2 knobs
set more than minimum. Use the AUX 2/EFX
SEND (38) knob to control the overall output
sent to your external effects processor. The
EMAC internal effects processor receives the
same signal.

This output is not affected by the main mix

faders, the five-band EQ (27), or by the EMAC
internal effects.

As the output is post-channel-fader, and

post-channel EQ, it cannot be used as tradi-
tional stage monitor cues. It is intended to
patch into effects device inputs; hence the
name “EFX.” See AUX 2/EFX on page 13.

5. MAIN OUTPUTS

Coming in two flavors, XLR and 1/4" TRS,

the main output represents the end of the
mixer chain, where your fully mixed and en-
hanced stereo signal enters the real world.

Connect these outputs to the inputs of your

amplifier, or powered speakers.

XLR balanced wiring:

Pin 1 = shield
Pin 2 = hot (+),
Pin 3 = cold (–)

1/4" TRS balanced wiring:

Tip = hot (+)
Ring = cold (–)
Sleeve = shield

6. PHONES OUTPUT

The stereo signal at this output jack is the

main mix, but it is not affected by the position
of the MAIN MIX (34) faders.

The PHONES (33) control knob allows you

to set the levels in your headphones as desired,
without disturbing the main mix level.

Note: Be very careful because the PHONES

jack can drive any standard headphones to
very loud levels. Please see the “Safety Instruc-
tions” on page 2 for information on hearing
protection.

1/4" TRS stereo wiring:
Tip = left, ring = right, sleeve = shield

Walkperson-type phones can also be used

with an appropriate adapter.

SLEEVE

TIP

SLEEVE

TIP

RING

RING

TIP

SLEEVE

RING

9/10

11/12

MAIN OUT

1

1

MON

L

R

AUX SEND

STEREO AUX

RETURN

LEFT

7/8

5/6

MIC

MIC

4

MIC

3

MIC

2

1

MIC

MIC

BAL/UNBAL

L

LINE IN

BAL/UNBAL

L

R

R

BAL/UNBAL

LINE IN

L

LINE IN

L

R

R

LINE IN

BAL/UNBAL

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

BAL/UNBAL

LINE IN

INSERT

(MONO)

(MONO)

(MONO)

(MONO)

2

CD/TAPE

IN

TAPE

OUT

L

L

R

R

(MONO)

EFX

FOOT

SWITCH

PHONES

2

EFX

RIGHT

BAL/UNBAL

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