Roland SP-555 - Manual (Page 58)

58
Appendix
✩ : The depth of these parameters will be limited if you turn on “Effect Limit mode” (p. 20).
*1: RATE is specified as a note value relative to the tempo of the longest sample of the samples to which the effect is being applied.
Note values that you can specify:
32nd note (t32) / 16th note (t16) / 8th note triplet (t8t) / dotted 16th note (t16.) / 8th note (t8) / quarter note triplet (t4t) / dotted 8th
note (t8.) / quarter note (t4) / half note triplet (t2t) / dotted quarter note (t4.) / half note (t2) / dotted half note (t2.) / whole note (t1)
If a pattern is playing, the tempo of the pattern is used as the reference. If a pattern is playing or if
“Effect tempo mode” (p. 20) has
been set to synchronize to the tempo of the pattern sequencer, the tempo of the pattern is also used as the reference.
*2: Turn the CTRL 3 balance toward 12 o’clock, turn the CTRL 1 pitch all the way to the right, and use CTRL 2 to adjust the threshold so that the
sine wave is sounded appropriately according to the input source. When you’ve finished setting the threshold, adjust the pitch and balance.
This is a convenient way to supplement the kick drum.
*3: JC-120( JC)/ CLEAN TWIN(CLn)/ MATCH DRIVE(Mdr)/ BG LEAD( bG)/ MS1959(I MS1)/ MS1959II(MS2)/ MS1959I+II(MS3)/ SLDN
LEAD(SLd)/ METAL 5150(Mt1)/ METAL LEAD(Mt2)/ OD-1(od1)/ OD2 TURBO(od2)/ DISTORTION(dSt)/ FUZZ(FUZ)
*4: SMALL1(SL1)/ SAMLL2(SL2)/ MIDDLE(MID)/ JC-120( JC)/ BUILT IN1(bL1)/ BUILT IN2(bL2)/ BUILT IN3(bL3)/ BUILT IN4(bL4)/ BUILT
IN5(bL5)/ BG STACK1(bG1)/ BG STACK2(bG2)/ MS STACK1(MS1)/ MS STACK2(MS2)/ METAL STACK(MtL)/ 2STACK(2St)/
3STACK(3St)
*5: The TIMING cycle will synchronize to the tempo of the longest sample to which the effect is being applied. However, if a pattern is playing,
it will synchronize to the tempo of the pattern.
*6: The pattern cycle will synchronize to the tempo of the longest sample to which the effect is being applied. However, if a pattern is playing,
it will synchronize to the tempo of the pattern.
You can use RATE to adjust the synchronization speed as follows.
RATE maximum (turn the CTRL 2 knob all the way to the right): One cycle of TIMING PTN corresponds to one measure.
RATE minimum (turn the CTRL 2 knob all the way to the left): One cycle of TIMING PTN corresponds to a 32nd note.
By turning the CTRL 2 knob you can change this to any value from a 32nd note up to one measure.
15 BPM LOOPER LENGTH (LEn) ✩ TIMING (oFF,1–8) LOOP SW (oFF/on)
Loops the input sound over a
short period. Adjusts the length of the loop. Specifies the timing at which the
looped sound will automatically
start sounding (in 8th note inter-
vals) (*5). Set this to “oFF” if
you don’t want the loop to play
automatically. If you turn this on while the
sound is heard, the sound at
that point will be looped. Turn
this off to defeat looping.
16 REVERSE DELAY TIME (t32–t1)*1 FEEDBACK (Fdb) ✩ BALANCE (bAL)
Adds a delayed and re-
versed version of the input
sound. Adjusts the length of time that
the reversed sound will be re-
peated. Adjusts the number of times that
the reversed sound will be re-
peated. Adjusts the volume balance be-
tween the direct sound and ef-
fect sound.
Number Type CTRL 1 function (display) CTRL 2 function (display) CTRL 3 function (display)
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