Document Outline

• Cover
• PRECAUTIONS
• Contents
• How to Use This Manual
• Panel Controls
• Quick Start Guide
• Parameter Structure
• Tone Generator Signal Flow & Effect Block Diagram
• Chapter 1 Pattern Basics
  • Tip 1 Playing a Pattern
  • Tip 2 Exploring other Patterns
  • Tip 3 Switching Patterns on the fly
  • Tip 4 Playing it backwards
  • Tip 5 Changing the bpm
  • Tip 6 Messing with the Beat
  • Tip 7 Double time, half time
• Chapter 2 Song Playback
  • Tip 8 Playing a Song
• Chapter 3 The Keyboard
  • Tip 9 Playing the keyboard
  • Tip 10 Changing octaves
  • Tip 11 Playing the Rhythm track
  • Tip 12 Velocity
• Chapter 4 Scene Basics
  • Tip 13 Switching Scenes
  • Tip 14 Morphing
• Chapter 5 Effects
  • Tip 15 What is an Effect?
  • Tip 16 Playing with the Effects
  • Tip 17 Distortion
• Chapter 6 Filter (VCF)
  • Tip 18 Cutoff and Resonance
  • Tip 19 Wild, wild filter sweeps — VCF Types
  • Tip 20 FEG Depth
• Chapter 7 Nuts and Bolts
  • Tip 21 Show Value
  • Tip 22 Original Value
  • Tip 23 Panic! (or “Uh-oh...What do I do now?”)
  • Tip 24 Factory Reset
• Chapter 8 Pattern Playback
  • Tip 25 Adjusting the Gate Time
  • Tip 26 Transposing the key
  • Tip 27 Swing
  • Tip 28 Muting tracks
  • Tip 29 Muting notes during playback
  • Tip 30 Mixer controls — Pan and Volume
  • Tip 31 Assigning Patterns to the keyboard buttons
• Chapter 9 LFO Modulation
  • Tip 32 Modulating the volume
  • Tip 33 Modulating the Filter
  • Tip 34 Modulating the pitch
  • Tip 35 Changing the LFO wave
• Chapter 10 EG Basics
  • Tip 36 Shaping the sound with EG
  • Tip 37 Using EG to control the Filter (FEG)
  • Tip 38 More about FEG Depth
  • Tip 39 Going negative — with FEG Depth
• Chapter 11 Advanced Sound Shaping Controls
  • Tip 40 Portamento — the famous gliding pitch effect.
  • Tip 41 Metallic sounds and more — with FM Depth
  • Tip 42 Balancing the waves — VCO 1 and 2
  • Tip 43 Noise Level
  • Tip 44 Making waves — VCO 1 and VCO 2
  • Tip 45 Fat, phatter and phattest!
  • Tip 46 Sync Mode and Sync Pitch
  • Tip 47 Creating your own original Scenes — and saving them
• Chapter 12 Free EG
  • Tip 48 Free EG
  • Tip 49 Changing the Length of your Free EG tracks
• Chapter 13 Pattern Power Tips
  • Tip 50 Hit the top of the Pattern!
  • Tip 51 Shake, Retrigger, and Roll!
  • Tip 52 Selecting a Voice (Copy Voice)
  • Tip 53 Starting a Pattern on a different note
  • Tip 54 Transposing the pitch of a Pattern
  • Tip 55 Copying a Pattern (Sequence)
• Chapter 14 Pattern Recording
  • Tip 56 Erasing a Pattern — and starting from scratch
  • Tip 57 Setting the Metronome lead-in
  • Tip 58 Recording a Pattern in real time
  • Tip 59 Step Recording
  • Tip 60 Storing your new Pattern
• Chapter 15 Song Recording
  • Tip 61 Erasing a Song — and starting from scratch
  • Tip 62 Creating a Song
  • Tip 63 Setting the BPM (tempo) for your new Song
  • Tip 64 More Song editing features
  • Tip 65 Adding Patterns to your Song — Insert Pattern
  • Tip 66 Taking Patterns out of your Song — Delete Pattern
  • Tip 67 Storing your new Song
• Chapter 16 Speed Tips for Power Users
  • Tip 68 Using [SHIFT] with the [DATA] knob — for leaps and bounds!
  • Tip 69 Using [SHIFT] to “hold” a setting
  • Tip 70 Gang-editing a group of Steps
• Chapter 17 Real World Tips
  • Tip 71 Adjusting the Gate Time with the [DATA] knob
  • Tip 72 Adjusting the pitch with the [DATA] knob
  • Tip 73 Changing the pitch with the keyboard
  • Tip 74 Stutter fill-in 1
  • Tip 75 Stutter fill-in 2
  • Tip 76 Stutter fill-in 3
  • Tip 77 Assigning Patterns for your gig
  • Tip 78 Chord progressions with Pattern Assign
• Chapter 18 Master Class 1 — Onstage
  • Tip 79 Sync the AN200 to your sequencer
  • Tip 80 Changing the MIDI channels
  • Tip 81 Loopfactory setup — with the SU200
  • Tip 82 Loopfactory sync system — with the DX200
  • Tip 83 Loopfactory sampling
  • Tip 84 Full DJ system — turntable and all!
  • Tip 85 Loopfactory megasetup — with MIDI Thru
• Chapter 19 Master Class 2 — Advanced Music Production
  • Tip 86 Playing the AN200 as a synthesizer
  • Tip 87 Recording to a sequencer
  • Tip 88 Recording AN200 knob moves to a sequencer88 Recording AN200 knob moves to a sequencer
  • Tip 89 Editing the AN200 from a computer
  • Tip 90 MIDI sequencer controls — Start, Continue, Stop
  • Tip 91 Saving Patterns and Songs to a MIDI data filer
  • Tip 92 Loading back your saved Patterns and Songs
• Appendix
  • Function Index
  • About the Included CD-ROM
  • Specifications
  • Error Messages
  • Troubleshooting
  • Analog Physical Modeling Synthesis and the AN200
  • MIDI Data Format
  • MIDI Implementation Chart
  • Rhythm Track Instrument List
  • Pattern List