Yamaha YPT-410 - Manual (Page 76)

76
YPT-410 Owner’s Manual
Style (Auto-accompaniment) Functions
■ Recognized Standard Chords
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All chords in the chart are “C-root” chords.
* These chords are not shown in the Dictionary function.
Chord Name/[Abbreviation] Normal Voicing Chord (C) Display
Major [M] 1 - 3 - 5 C
Add ninth [(9)] 1 - 2 - 3 - 5 C (9)
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6 (9) *
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7 (9) *
Major seventh add sharp eleventh [M7(#11)]
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
CM7 (#11) *
Flatted fifth [(b5)] 1 - 3 - b5 C b5 *
Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7 b5 *
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - #5 Caug
Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug *
Minor [m] 1 - b3 - 5 Cm
Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm (9)
Minor sixth [m6] 1 - b3 - 5 - 6 Cm6
Minor seventh [m7] 1 - b3 - (5) - b7 Cm7
Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7 (9)
Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7 (11) *
Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7
Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7 (9) *
Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7 Cm7 b5
Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7 b5 *
Diminished [dim] 1 - b3 - b5 Cdim
Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7
Seventh [7]
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
C7
Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7 C7 (b9)
Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7 C7 (b13)
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 C7 (9)
Seventh add sharp eleventh [7(#11)]
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
C7 (#11)
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 C7 (13)
Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 C7 (#9)
Seventh flatted fifth [7b5] 1 - 3 - b5 - b7 C7 b5 *
Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4
Suspended second [sus2] 1 - 2 - 5 C *
C
C
( 9 )
C 6
( 9 )
C 6
C M7
C M7
( 9 )
C M7
( #11 )
C
( b5 )
C M7
( b5 )
C sus4
C aug
C M7aug
C m
( 9 )
C m
C m6
C m7
C m7
( 9 )
C m7
( 11 )
C mM7
C mM7
( 9 )
C m7
( b5 )
C mM7
( b5 )
C dim
C dim7
C 7
C 7
( b9 )
C 7
( b13 )
( 9 )
C 7
( #11 )
C 7
( 13 )
C 7
( #9 )
C 7
C 7b5
C 7aug
C 7sus4
C sus2
• Notes in parentheses can be omitted.
• Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
• A perfect fifth (1+5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7b5, 6, m6, sus4,
aug, dim7, 7b5, 6(9), sus2.
NOTE
• Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.
NOTE