Yamaha DSP5D - Manual (Page 241)

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Reference section
241
Information shown
in the display
Function
menu
Global
functions
Output
functions
Input
functions
Appendices
Note
As an exception to MIX CUE, turning on a CUE button in the
EFFECT PARAM screen or GATE PARAM screen or turning
on a CUE button in the DME CONTROL screen (EXTERNAL
CUE) will give priority to monitoring only the corresponding
signal. (Any [CUE] keys that had been on until then will be
forcibly defeated.)
• LAST CUE mode
Only the channel / DCA group whose [CUE] key was
pressed last will be monitored.
C CUE FUNCTION
These buttons let you turn on/off various functions
related to Cue. You can select the following functions.
• MIX CUE LINK
Specifies whether cue operations will be linked to MIX
channel selection. If this button is on, pressing the mix
key selected in the ENCODER MODE section of the
panel once again will simultaneously switch on the
[CUE] key of that channel.
• CUE/SEL LINK
Specifies whether channel selection will be linked with
cue operations. If this button is on, pressing the [CUE]
key of a channel will simultaneously select that chan-
nel and light its [SEL] key.
• FADER/CUE RELEASE
This specifies whether cue operations will be restricted
according to the fader position. If this button is on, cue
will be defeated if you raise the fader from the –
∞ dB
position for a channel whose [CUE] key is lit. For a
channel whose fader is above the
–
∞ dB position, cue operation will not be possible.
(Pressing the [CUE] key will do nothing.) This means
that cue can be turned on only when the fader is at the
–
∞ dB position.
D INPUT
Here you can select the position from which an input
channel will be cued.
PFL (Pre-Fader Listen)
. . . . . . . Immediately before the fader
AFL (After-Fader Listen)
. . . . . . . Immediately after the fader
POST PAN . . . . . . . Immediately after pan
If you select PFL, you can also use the knob located at
the left to adjust the output level in a range of
–20 dB to +10 dB.
E DCA
Here you can make cue output settings for DCA
groups.
• DCA TRIM
Adjusts the level of cue output from a DCA group in a
range of –20 dB to +10 dB.
• DCA UNITY
If this button is on, pressing a DCA [CUE] key will
always monitor the corresponding DCA group at unity
gain (the same level at when the DCA fader is at 0 dB).
Hint
• If you leave the DCA UNITY button on, you will be able to
monitor the desired DCA group even if that DCA group is
muted or its fader is lowered.
• Even when the DCA UNITY button is on, the value specified
by the DCA TRIM knob is still valid. (In this case, the DCA
TRIM knob specifies an offset value relative to unity gain.)
• PRE PAN/POST PAN
This selects whether the pre-pan signal (PRE PAN but-
ton on) or the post-pan signal (POST PAN button is
on) will be monitored when the DCA [CUE] button is
turned on.
F OUTPUT
Here you can select the position from which an output
channel will be cued.
PFL (Pre-Fader Listen)
. . . . . . . . Immediately before the fader
POST ON . . . Immediately after the [ON] key
If you select PFL, you can also use the knob located at
the left to adjust the output level in a range of
–20 dB to +10 dB.
G INPUT SOLO SAFE
Here you can specify input channels that will be
excluded from Solo operations. (You can specify more
than one.) The buttons correspond to the following
input channels.
4 5 6
INPUT 1–48 Input channels 1–48
ST IN 1–4 ST IN channels 1–4
FX RTN 1–4 FX RTN channels 1–4
SET ALL
Sets all input channels to the Solo
Safe condition
CLEAR ALL
Defeats the Solo Safe setting for
all input channels
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