M. band dyna, M.band comp, Rev-x hall, rev-x room, rev-x plate – Yamaha DSP5D User Manual

Page 333: Two input, two output stereo reverb

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PM5D/PM5D-RH V2 / DSP5D Owner’s Manual

Reference section

333

Information shown

in the display

Function

menu

Global

functions

Output

functions

Input

functions

Appendices

ST REVERB

Two input, two output stereo reverb.

M. BAND DYNA.

Two input, two output 3-band dynamics processor, with
individual solo and gain reduction metering for each band.

M.BAND COMP

Two input, two output 3-band compressor, with individ-
ual solo and gain reduction metering for each band.

REV-X HALL, REV-X ROOM, REV-X PLATE

Newly-developed two input, two output reverb algo-
rithm. Delivers dense and rich reverberation, smooth
decay, and provides a spaciousness and depth that
enhances the original sound. Choose from three types
depending on your location and needs; REV-X HALL,
REV-X ROOM, and REV-X PLATE.

Parameter

Range

Description

REV TIME

0.3–99.0 s

Reverb time

REV TYPE

Hall, Room, Stage,
Plate

Reverb type

INI. DLY

0.0–100.0 ms

Initial delay before reverb begins

HI. RATIO

0.1–1.0

High-frequency reverb time ratio

LO. RATIO

0.1–2.4

Low-frequency reverb time ratio

DIFF.

0–10

Reverb diffusion (left–right reverb
spread)

DENSITY

0–100%

Reverb density

E/R BAL.

0–100%

Balance of early reflections and
reverb (0% = all reverb, 100% =
all early reflections)

HPF

THRU, 21.2 Hz–
8.00 kHz

High-pass filter cutoff frequency

LPF

50.0 Hz–16.0 kHz,
THRU

Low-pass filter cutoff frequency

Parameter

Range

Description

LOW GAIN –96.0 to +12.0 dB

Low band level

MID GAIN

–96.0 to +12.0 dB

Mid band level

HI. GAIN

–96.0 to +12.0 dB

High band level

PRESENCE

–10 to +10

For positive values, the thresh-
old of the high band is low-
ered and the threshold of the
low band is increased. For
negative values, the opposite
will occur. When set to 0, all
three bands are affected the
same.

CMP. THRE –24.0 dB to 0.0 dB

Compressor threshold

CMP. RAT

1:1 to 20:1

Compressor ratio

CMP. ATK

0–120 ms

Compressor attack

CMP. REL

1

Compressor release time

CMP. KNEE 0–5

Compressor knee

LOOKUP

0.0–100.0 ms

Lookup delay

CMP. BYP

ON/OFF

Compressor bypass

L–M XOVR

21.2 Hz–8.00 kHz

Low/mid crossover frequency

M–H XOVR 21.2 Hz–8.00 kHz

Mid/high crossover frequency

SLOPE

–6 dB, –12 dB

Filter slope

CEILING

–6.0 dB to 0.0 dB, OFF

Specifies the maximum output
level

EXP. THRE

–54.0 dB to –24.0 dB

Expander threshold

EXP. RAT

1:1 to

∞:1

Expander ratio

EXP. REL

*1

*1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz),

3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)

Expander release time

EXP. BYP

ON/OFF

Expander bypass

LIM. THRE

–12.0 dB to 0.0 dB

Limiter threshold

LIM. ATK

0–120 ms

Limiter attack

LIM. REL

1

Limiter release time

LIM. BYP

ON/OFF

Limiter bypass

LIM. KNEE

0–5

Limiter knee

Parameter

Range

Description

LOW GAIN –96.0 to +12.0 dB

Low band level

MID GAIN

–96.0 to +12.0 dB

Mid band level

HI. GAIN

–96.0 to +12.0 dB

High band level

L-M XOVR

21.2 Hz–8.00 kHz

Low/mid crossover frequency

M-H XOVR

21.2 Hz–8.00 kHz

Mid/high crossover frequency

SLOPE

–6 dB, –12 dB

Filter slope

CEILING

–6.0 dB to 0.0 dB, OFF

Specifies the maximum output
level

LOOKUP

0.0–100.0 ms

Lookup delay

LOW THRE

–54.0 dB to 0.0 dB

Low band threshold level

MID THRE

–54.0 dB to 0.0 dB

Mid band threshold level

HI. THRE

–54.0 dB to 0.0 dB

High band threshold level

RATIO

1:1 to 20:1

Compression ratio

ATTACK

0–120 ms

Compressor attack time

CMP. REL

*1

*1. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz),

3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz)

Compressor release time

KNEE

0–5 Compressor

knee

BYPASS

ON/OFF

Bypasses the compressor

Parameter

Range

Description

REV TIME

0.47–46.92 s

*1

*1. These values are for when the effect type is REV-X HALL and the

ROOM SIZE=28. The range will differ depending on the effect type
and ROOM SIZE setting.

Reverb time

INI. DLY

0.0–120.0 ms

Initial delay before reverb begins

HI. RATIO

0.1–1.0

High-frequency reverb time ratio

LO. RATIO

0.1–2.4

Low-frequency reverb time ratio

LO.FREQ

22.0 Hz–18.0 kHz

Frequency point for LO.RATIO
setting

DIFF.

0–10

Reverb diffusion (left–right reverb
spread)

ROOM
SIZE

0–28

Size of room

DECAY

0–53

Gate closing speed

HPF

THRU, 22.0 Hz–
8.00 kHz

High-pass filter cutoff frequency

LPF

1.00 kHz–18.0 kHz,
THRU

Low-pass filter cutoff frequency

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