Yamaha DSP5D - Manual (Page 335)

PM5D/PM5D-RH V2 / DSP5D Owner’s Manual Reference section
335
Information shown
in the display
Function
menu
Global
functions
Output
functions
Input
functions
Appendices
❏ EQUALIZER601
This effect emulates the characteristics of 70’s analog
equalizers. Re-creating the distortion of typical analog cir-
cuits will add drive to the sound.
❏ OPENDECK
It emulates the tape compression created by two open reel
tape recorders (a recording deck and a playback deck.) You
can change the sound quality by adjusting various ele-
ments, such as the deck type, tape quality, playback speed,
etc.
❏ DE-ESSER
This detects and compresses only the high-frequency con-
sonantal components (e.g., sibilants) of a vocal sound. Two
monaural channels can be controlled independently.
Parameter Range Description
LO TYPE HPF-2/1, LSH-1/2 Type of EQ1
LO F 16.0 Hz to 20.0 kHz Cut-off frequency of EQ1
LO G –18.0 to +18.0 dB Gain of EQ1
MID1 Q 0.50–16.00 Q of EQ2
MID1 F 16.0 Hz to 20.0 kHz Center frequency of EQ2
MID1 G –18.0 to +18.0 dB Gain of EQ2
MID2 Q 0.50–16.00 Q of EQ3
MID2 F 16.0 Hz to 20.0 kHz Center frequency of EQ3
MID2 G –18.0 to +18.0 dB Gain of EQ3
INPUT –18.0 to +18.0 dB Input gain
OUTPUT –18.0 to +18.0 dB Output gain
MID3 Q 0.50–16.00 Q of EQ4
MID3 F 16.0 Hz to 20.0 kHz Center frequency of EQ4
MID3 G –18.0 to +18.0 dB Gain of EQ4
MID4 Q 0.50–16.00 Q of EQ5
MID4 F 16.0 Hz to 20.0 kHz Center frequency of EQ5
MID4 G –18.0 to +18.0 dB Gain of EQ5
HI TYPE LPF-2/1, HSH-1/2 Type of EQ6
HI F 16.0 Hz to 20.0 kHz *1
*1. 16.0 Hz to 20.0 kHz (LPF-1, LPF-2), 1.0 kHz to 20.0 kHz (HSH-1,
HSH-2)
Cut-off frequency of EQ6
HI G –18.0 to +18.0 dB Gain of EQ6
LO SW OFF, ON Switches EQ1 on/off
MID1 SW OFF, ON Switches EQ2 on/off
MID2 SW OFF, ON Switches EQ3 on/off
MID3 SW OFF, ON Switches EQ4 on/off
MID4 SW OFF, ON Switches EQ5 on/off
HI SW OFF, ON Switches EQ6 on/off
TYPE CLEAN, DRIVE
Selects the equalizer type. The
CLEAN equalizer provides
non-distorted, clear, typical
digital sound, emulating varia-
tions in frequency response in
the analog circuits. The DRIVE
equalizer provides distorted,
driven sound that enhances
analog flavor, emulating
changes in frequency
response in the analog cir-
cuits.
Parameter Range Description
REC DEC
Swss70, Swss78,
Swss85, Amer70
Selects the recording deck type
REC LVL –96.0 to +18.0 dB
Adjusts the input level of the
recording deck. As you raise the
level, tape compression is gener-
ated, which narrows the dynamic
range and distorts the sound
REC HI –6.0 to +6.0 dB
Adjusts the high range gain of the
recording deck
REC BIAS –1.00 to +1.00
Adjusts the bias of the recording
deck
REPR DEC
Swss70, Swss78,
Swss85, Amer70
Selects the playback deck type
REPR LVL –96.0 to +18.0 dB
Adjusts the output level of the
playback deck
REPR HI –6.0 to +6.0 dB
Adjusts the high range gain of the
playback deck
REPR LO –6.0 to +6.0 dB
Adjusts the low range gain of the
playback deck
MAKE UP Off, On
When you adjust the REC LVL, the
REPR LVL reflects the change,
maintaining the relative output
level. You can change the amount
of distortion without changing
the output level.
TP SPEED 15ips, 30ips Selects the tape speed
TP KIND Old, New Selects the tape type
Parameter Range Description
THRE. 1
–54.0 to 0.0 dB
(541 points) Threshold level above which the
CH1 de-esser effect will apply.
FREQ. 1
1.00 kHz to 12.5 kHz
(45 points)
Cutoff frequency of the HPF
used to detect the high frequen-
cies for CH1.
THRE. 2
–54.0 to 0.0 dB
(541 points) Threshold level above which the
CH2 de-esser effect will apply.
FREQ. 2
1.00 kHz to 12.5 kHz
(45 points)
Cutoff frequency of the HPF
used to detect the high frequen-
cies for CH2.