Using the effect function, Features of various effectors, Auto bpm counter (auto bpm counter) – Pioneer DJM-500 User Manual

Page 12: Beat effector (effects linked to bpm), Drb1192, Original (4 beats) 1/2 delay (8 beats) (example), Djm-500

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12

<DRB1192>

USING THE EFFECT FUNCTION

With the built-in DSP (digital signal processor), sound ef-
fects can be enjoyed and BPM measured.

Real-time/average selection

Effect selector

Effect channel selector

Parameter knob

Effect switch

Monitor selector
(Auto BPM Counter Selector)

Features of Various Effectors

Original
(4 beats)

1/2 delay
(8 beats)

(Example)

Auto BPM Counter (AUTO BPM COUNTER)

Automatically measures the BPM (beats per minute (tempo)) of the song and displays it digitally. (*1)
It not only counts the beat of bass sounds but also calculates, using a computer, the original BPM of the song required by DJs
and displays it digitally.
This allows the BPM to now be checked not only with the ear as done previously but also visually, thereby enabling songs
with different tempos to be mixed more quickly and simply.
(*1: Able to calculate the BPM of most songs, but not of some (e.g. acapella, ad lib, etc.).)

Beat Effector (Effects linked to BPM)

Various effects are linked to the BPM calculated by the above auto BPM counter to allow a never-before sound mixing.

1. Delay (one repeated sound)

Mixes delay sounds of 1/2, 3/4, and 1/1 beats quickly and simply.
For example, when 1/2 beat delay sounds are mixed, the beat will change from 4 to 8.
When 3/4 beat delay sounds are mixed, the rhythm will change to a jumpy one.

MIC

CH–1

CH–2

CH–3

CH–4

MASTER

POWER

DJM-500

DJ MIXER

MASTER LEVEL

TRIM

+6dB

HI

MID

LOW

14

10

7

4

2

1

0

-1

-2

-3

-5

-7

-10

-15

-24

dB

14

10

7

4

2

1

0

-1

-2

-3

-5

-7

-10

-15

-24

dB

+12dB

–20dB

+12dB

–20dB

+12dB

–20dB

EQ

R

L

1/2 3/4 1/1 2/1 4/1

1

2

3

4 MIC

MASTER

PARAMETER

AVERAGE

AUTO BPM COUNTER

REAL

BEAT

EFFECT

MONO

STEREO

SUB MIC

PHONO 3

LINE

PHONO 2

CD 2/LINE

PHONO 1

CD 1/LINE

LINE

%

BPM
mSec

1

2

3

4

BPM
mSec

MIC LEVEL

0dB

HI

+12dB

–12dB

MID

+12dB

–12dB

LOW

+12dB

–12dB

TRIM

+6dB

HI

+12dB

–20dB

+12dB

–20dB

MID

LOW

TRIM

+6dB

HI

MID

LOW

TRIM

+6dB

HI

MID

LOW

14

10

7

4

2

1

0

-1

-2

-3

-5

-7

-10

-15

-24

dB

14

10

7

4

2

1

0

-1

-2

-3

-5

-7

-10

-15

-24

dB

14

10

7

4

2

1

0

-1

-2

-3

-5

-7

-10

-15

-24

dB

+12dB

–20dB

+12dB

–20dB

+12dB

–20dB

+12dB

–20dB

+12dB

–20dB

+12dB

–20dB

+12dB

–20dB

EQ

EQ

EQ

EQ

MONITOR EQ

+12dB

–12dB

MONITOR LEVEL

0dB

MIC

CH–1

CH–2

CH–3

CH–4

MASTER

EFFECT

0

1

2

3

4

5

6

7

8

9

10

0

1

2

3

4

5

6

7

8

9

10

0

1

2

3

4

5

6

7

8

9

10

MASTER BALANCE

BOOTH MONITOR LEVEL

R

L

PARAMETER

CH.SELECTOR

MAX

MIN

EFFECT ON/OFF

0dB

AUTO BPM COUNTER SELECTOR

MONITOR SELECTOR

MONITOR

MONO

STEREO

PHONES

1

2

3

4

ASSIGN A

1

2

3

4

2

3

4

MIC

MASTER

ASSIGN B

OFF

ON

OFF

ON

FADER START

OFF

ON

CROSS FADER

CH-2

CH-1

CROSS FADER

<A

B>

1

ECHO

AUTO PAN

FLANGER

PITCH

SHIFTER

DELAY

SEND/

RETURN

REVERB

AUTO

BPM

EFFECT SELECTOR

%

mSec

0

1

2

3

4

5

6

7

8

9

10

0

1

2

3

4

5

6

7

8

9

10

0

1

2

3

4

5

6

7

8

9

10

PROFESSIONAL

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