Welcome to digital workstation, Extraordinarily expressive and realistic voices, Play along with a backing band – Yamaha PSR-S670 User Manual

Page 10: Voice and style expandability, Powerful dsp effects for enhancing the sound

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PSR-S670 Owner’s Manual

Welcome to Digital Workstation

The PSR-S670 has a comprehensive and sonically stunning set of authentic Voices, and gives you the tools to play
these Voices more naturally and with greater expressiveness.

The Styles of the PSR-S670 make it possible to perform in a wide variety of music genres with full instrumental
accompaniment. Simply playing chords automatically triggers and controls the auto accompaniment backing, and
puts an entire backing band behind you!
You can change arrangements on the fly, instantly selecting different rhythm variations and breaks in real time —
including Intro, Ending, and Fill-in — during your performance.

The Multi Pads can be used to play a number of short pre-recorded rhythmic and melodic sequences. Playing the
Multi Pads during playback of Styles, etc. can add impact and variety to your performance, and make it more
dynamic.

The PSR-S670 is an open-ended instrument that lets you continually expand the available content for your creative
explorations. Featured on our special website (http://www.yamaha.com/awk/) are many Voices and Styles (called
Expansion Pack data) that you can buy and load to the PSR-S670. By using the “Yamaha Expansion Manager”
software, you can manage the variety of Expansion Packs and create your own custom Pack for installing on your
instrument.

The PSR-S670 has high-quality effect types, including Real Distortion and Real Reverb. The DSP effects allow you
to play the keyboard dynamically with a distorted guitar sound, or sound like you are playing in a concert hall.

Extraordinarily expressive and realistic Voices

page 33

Play along with a backing band

page 45

Make your performance more dynamic using Multi Pads

page 74

Voice and Style expandability

page 44

Powerful DSP effects for enhancing the sound

page 40

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