Document Outline

• PRECAUTIONS
  • PLEASE READ CAREFULLY BEFORE PROCEEDING
  • * Please keep this manual in a safe place for future reference.
    • WARNING
    • CAUTION
  • Yamaha Pro Audio global website
  • Package Contents
  • Optional Extras
  • About this Owner’s Manual
  • Conventions Used in this Manual
  • New Functions in DM1000 Version 2
• Contents
• 1 Welcome
• 2 Control Surface & Rear Panel
  • Control Surface
  • Rear Panel
  • Installing an Optional Card
• 3 Operating Basics
  • About the Display
  • Selecting Display Pages
  • Display Interface
  • Selecting Layers
  • Selecting Channels
  • Selecting Fader Modes
  • Selecting Encoder Modes
  • Assigning Parameters to the ENCODER MODE [ASSIGN] button
  • Metering
• 4 Connections and Setup
  • Connections
  • Wordclock Connections and Settings
  • Input and Output Patching
• 5 Analog I/O & Digital I/O
  • Analog Inputs & Outputs
  • Digital Inputs & Outputs
  • Converting Sampling Rates of Signals Received at 2TR Digital Inputs
  • Monitoring Digital Input Channel Status
  • Dithering Digital Outputs
  • Setting the Transfer Format for Higher Sampling Rates
• 6 Input Channels
  • About Input Channels
  • Setting the Input Channels from the Display
  • Setting the Input Channels from the Control Surface
  • Pairing Input Channels
  • Naming Input Channels
  • Using MS Stereo Microphone
• 7 Bus Outs
  • About Stereo Out
  • Bus Out 1–8
  • Setting the Stereo Out and Bus Out 1–8 from the Display
  • Setting the Stereo Out and Bus Out 1–8 from the Control Surface
  • Pairing Buses or Aux Sends
  • Attenuating Output Signals
  • Naming the Stereo Out and Bus Outs
• 8 Aux Sends
  • Aux Out 1–8
  • Setting Aux Out 1–8 from the Control Surface
  • Setting Aux Out 1–8 from the Display
  • Setting Aux Send Levels
  • Viewing Aux Send Settings for Multiple Channels
  • Panning Aux Sends
  • Excluding Certain Channels from Aux Sends (Mix Minus)
  • Copying Channel Fader Positions to Aux Sends
  • Soloing AUX Sends using the [AUX 1]–[AUX 8] Buttons
• 9 Input & Output Patching
  • Input Patching
  • Output Patching
  • Patching Direct Outs
  • Insert Patching
• 10 Control Room Monitoring
  • Control Room Monitor
  • Solo Setup
  • Using the Solo Function
  • Using the Control Room Monitor
  • Using the Talkback Function
• 11 Surround Functions
  • Using Surround Pan
  • Surround Monitoring
• 12 Grouping Channels & Linking Parameters
  • Grouping & Linking
  • Using Fader Groups and Mute Groups
  • Using Fader Group Master
  • Using Mute Group Master
  • Linking EQ and Compressor Parameters
• 13 Internal Effects
  • About the Internal Effects
  • Using Effects Processors via Aux Sends
  • Inserting the Internal Effects into Channels
  • Editing Effects
  • About Surround Effects
  • About Add-On Effects
  • About Plug-Ins
• 14 Scene Memories
  • About Scene Memories
  • Storing and Recalling Scenes
  • Auto Scene Memory Update
  • Fading Scenes
  • Recalling Scenes Safely
  • Sorting Scenes
  • Copying and Pasting a Scene (Global Paste)
• 15 Libraries
  • About the Libraries
  • General Library Operation
  • Using Libraries
• 16 Automix
  • About Automix
  • Setting Up for Automix Recording
  • Recording an Automix
  • Inserting Mix Parameters into Automix
  • Punching In & Out
  • [SEL] Button Functions While the [AUTO] Button Indicator Is On
  • Playing Back an Automix
  • Automix Main Page
  • Automix Memory Page
  • Fader1 &2 pages
  • Editing Events Offline
• 17 Remote Control
  • About Remote Function
  • Pro Tools Remote Layer
  • Nuendo/Cubase SX Remote Layer
  • Other DAW Remote Layers
  • MIDI Remote Layer
  • Machine Control Function
• 18 MIDI
  • MIDI & the DM1000
  • MIDI Port Setup
  • Assigning Scenes to Program Changes for Remote Recall
  • Assigning Parameters to Control Changes for Real-time Control
  • Controlling Parameters by Using Parameter Changes
  • Transmitting Parameter Settings via MIDI (Bulk Dump)
• 19 Controlling the DM1000 from a Video Editor
  • About ESAM
  • Connection Example
  • Crossfade via ESAM Commands
  • Video Editors with confirmed compatibility
  • Supported Commands
  • Remote Connector Pin Assignment
• 20 Other Functions
  • Changing the Input and Output Connector Names
  • Setting Preferences
  • Creating a Custom Layer by Combining Channels (User Assignable Layer)
  • Using the Oscillator
  • Using the User Defined Keys
  • Using GPI (General Purpose Interface)
  • Using Operation Lock
  • Cascading Consoles
  • Using the AD8HR/AD824
  • Checking the Battery and the System Version
  • Initializing the DM1000
  • Calibrating the Faders
• Appendix A: Parameter Lists
  • USER DEFINED KEYS
  • USER DEFINED KEYS Initial Assignments
  • Input Patch Parameters
  • Initial Input Patch Settings
  • Output Patch Parameters
  • Initial Output Patch Settings
  • GPI Trigger Source & Target List
  • User Defined Remote Layer Initial Bank Settings
  • Effects Parameters
  • Effects and tempo synchronization
  • Preset EQ Parameters
  • Preset Gate Parameters (fs = 44.1kHz)
  • Preset Compressor Parameters (fs = 44.1kHz)
  • Dynamics Parameters
• Appendix B: Specifications
  • General Spec
  • Libraries
  • Analog Input Spec
  • Analog Output Spec
  • Digital Input Spec
  • Digital Output Spec
  • I/O Slot Spec (1–2)
  • Control I/O Spec
  • REMOTE Port
  • CONTROL Port
  • Dimensions
• Appendix C: MIDI
  • Scene Memory to Program Change Table
  • Initial Parameter to Control Change Table
  • MIDI Data Format
• Appendix D: About Optional Product
  • MB1000 Peak Meter Bridge
  • Installing the SP1000 Side Panels
  • Rack Mounting the DM1000 Using the RK1 Rack Mount Kit
• Index
• MIDI Implementation Chart
• DM1000 Block Diagram
• DM1000 Level Diagram