Figure 1 wiring with the s-100b amplifier, S-100b treble contour switch, Page 5 – MK Sound S-1C User Manual

Page 5: Left right, Satellite speakers

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satellite speakers

page 5

FIGURE 1

WIRING WITH THE S-100B

AMPLIFIER

LEFT RIGHT

+

_

+

_

MADE IN USA

INPUT

4 ohms

MILLER & KREISEL SOUND CORPORATION

MIDRANGE

CONTOUR

10391 Jefferson Blvd., Culver City, CA 90232 310/204-2854

MID

EFFICIENCY

NORMAL

S-100B

SATELLITE SPEAKER

TREBLE

CONTOUR

MID

TWEETER

NORMAL

LOW

TWEETER

LOW

EFFICIENCY

SPECIAL INPUT

(see instructions)

CONNECT AMPLIFIER TO ONLY ONE RED

AND ONLY ONE BLACK TERMINAL

MADE IN USA

INPUT

4 ohms

MILLER & KREISEL SOUND CORPORATION

MIDRANGE

CONTOUR

10391 Jefferson Blvd., Culver City, CA 90232 310/204-2854

MID

EFFICIENCY

NORMAL

S-100B

SATELLITE SPEAKER

TREBLE

CONTOUR

MID

TWEETER

NORMAL

LOW

TWEETER

LOW

EFFICIENCY

SPECIAL INPUT

(see instructions)

CONNECT AMPLIFIER TO ONLY ONE RED

AND ONLY ONE BLACK TERMINAL

S-100B TREBLE CONTOUR SWITCH

The TREBLE CONTOUR switch slightly rolls off the upper midrange and treble frequencies when set to the MID

and LOW position. These carefully shaped contours minimize brightness due to room conditions, other electronics,
or the source material. It does more than a simple tweeter level control.

The LOW position gives the greatest reduction of high frequencies. The MID position gives a lesser reduction

of the highs, while the NORMAL position does not reduce high frequencies at all.

This control is useful not only to match your room environment and speaker location, but also because audio and

audio/video program material varies widely in terms of high frequency level and distortion. For example, many
recordings and film soundtracks have artificially boosted, excessive high frequencies that will be clearly reproduced
by the exacting and extended high frequency reproduction of your M&K Satellites, and the MID and LOW TWEETER
positions will help these recordings.

Don't hesitate to set this switch to MID or LOW for fear of the sound not being "flat". Few recordings are actually

"flat", due to equalization in the recording process, and artificial alteration of high frequencies is common.

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