Stanton RM.404 - Manual (Page 12)

RM.404 Top Panel (FUNCTIONS)
Section G: Channel Controls (continued)
this setting too high may result in a loss of sound quality (distortion.)
[Note: For best results set this control in the number 7 (2 O'Clock) position for
unity gain. If further adjustment is needed, this is a good reference point.]
26. Channel EQ (MID) : Controls Mid frequency equalization of correspon-
ding channel (+9/-26 dB.) [Note: Any changes made to EQ settings will
affect the overall output level of this channel.]
27. Channel Input Meter: Displays the input level of this channel. The input
level is determined by the Channel Gain controls (see #25.) Red indicates
clipping.
28. Channel EQ (LOW) : Controls Low frequency equalization of correspon-
ding channel (+9/-26 dB.) [Note: Any changes made to EQ settings will affect
the overall output level of this channel.]
29. Cue (assign) : Selects the channel to be monitored via headphone Cue
(Section C.)
30. Channel Fader (Line Fader) : Controls the output level of the correspon-
ding channel. This control is Post-EQ and when NOT using Crossfader
Assign (#31 = bypass) the signal is sent directly to the Master Output.
31. Crossfader Assign (A-B- BYPASS) : Controls where the audio signal for
this channel will be sent; either to the Crossfader (#13) or to Master Output
(#3.) When set to A, this channel will be assigned to the left side of the
Crossfader. When set to B, this channel will be assigned to the right side of
the Crossfader. When set to BYPASS, the Crossfader will be bypassed alto-
gether and the audio is sent straight from the Line Fader (#30) to the Master
Output (Section B.) [Note: This allows the DJ to mix with or without using the
Crossfader].