Rm.416 description, 1 front panel – Stanton RM.416 User Manual
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RM.416 Description (Front Panel)
3.
RM.416 Description
3.1
Front Panel (Figure 3.1)
3
1. Mic gain (gain): These rotary knobs control the output volume of the Mic channels.
2. Mic eQ: These knobs control the frequency response of MIC 1/2 separately. Range -12 dB to +12 dB.
HI: Adjusts the High frequencies (centered at 10 kHz).
MID: Adjusts the Mid range frequencies (centered at 1 kHz).
LOW: Adjusts the Low frequencies (centered at 100 Hz).
3. Mic on/oFF/talkoVeR Switch: Turns the Mic ON or OFF. When the switch is in the TALKOVER position, the mixer’s sound
level will decrease around 14 dB (except the Mic) so that the announcement is more clearly heard over the music.
4. cue (cue): Pressing any or all of the CUE buttons routes the respective sources to the headphones .
5. crossfader assign Switch (cF aSSign): To send a channel to the Left or Right side of the crossfader, move the switch to the
corresponding position (A or B). If you set the switch to OFF (middle position), the channel is not assigned to the crossfader.
6. Fader Start (FaDeR StaRt): This feature allows you to use the crossfader to start and stop a compatible CD player. Press this
button to activate it.
7. crossfader: It blends the output signals of CH 1-4 based on the position of the CROSSFADER ASSIGN SWITCH (5).
8. cue Mix (cue Mix): This knob controls the mix between the Cue signal and the Program audio. When a channel CUE button
is pressed, you will hear it on the CUE side of the CUE MIX knob. When the MASTER CUE is pressed, it will be heard on the
PGM side of the knob. This feature is particularly useful when mixing without a monitor.
9. cue level control (VoluMe): Adjusts Cue volume.
10. Split cue (SPlit cue): When this button is engaged, the audio from the Cue bus and the Program bus are merged into a mono
signal and routed to either side of the headphones.
11. headphone output (heaDPhoneS): Insert your ¼” headphones plug here. Be sure to set the CUE LEVEL CONTROL (9) to
minimum before you put the headphones on.
Figure 3.1