Stanton RM-406 - Manual (Page 12)

RM.406 Top Panel (FUNCTIONS)
Section H: Channel Controls (continued)
this setting too high may result in a loss of sound quality (distortion.) [Note:
For best results set this control in the number 7 (2 O'Clock) position for unity
gain. If further adjustment is needed, this is a good reference point.]
37. Channel EQ (MID): Controls Mid frequency equalization of correspon-
ding channel (+9/-64 dB.) [Note: -64dB = complete KILL of frequency. Any
changes made to EQ settings will affect the overall output level of this chan-
nel]
38. Channel Input Meter: Displays the input level of this channel. The input
level is determined by the Channel Gain controls (see #36.) Red indicates
clipping.
39. Channel EQ (LOW): Controls Low frequency equalization of correspon-
ding channel (+9/-64 dB.) [Note: -64dB = complete KILL of frequency. Any
changes made to EQ settings will affect the overall output level of this chan-
nel]
40. Send FX: Turns the effect send ON / OFF for this channel. This switch
routes the audio signal to the effects send bus (#3), for use with external
effects processor / FX Loop (see Section B.)
41. Cue (assign): Selects the channel to be monitored via headphone Cue
(Section D.)
42. Channel Fader (Line Fader): Controls the output level of the correspon-
ding channel. This control is Post-EQ and when NOT using Crossfader
Assign (#43) the signal is sent directly to the master output.
43. Crossfader Assign (A-B- BYPASS): Controls where the audio signal for
this channel will be sent; either to the Crossfader (#19) or to Master Output
(#6.) When set to A, this channel will be assigned to the left side of the
Crossfader; When set to B, this channel will be assigned to the right side of
the Crossfader. When set to BYPASS, the Crossfader will be bypassed alto-
gether and the audio is sent straight from the Line Fader (#42) to the Master
Output (Section C.) [Note: This allows the DJ to mix with or without using the
Crossfader].