P.228) – KORG TRITON STUDIO music workstation User Manual

Page 238

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228

In Program mode, dynamic modulation of the insertion
effects and master effects is controlled via the global
MIDI Channel.
In Combination, Sequencer and Song Play modes,
dynamic modulation for the insertion effects and mas-
ter effects is controlled on the MIDI channel indepen-
dently specified by the “Control Channel” for IFX1–5,
MFX1, and MFX2.

Gate1, G1+Dmp (Gate1+Damper)
The effect is at maximum during note-on, and will stop
when all keys are released. With G1+Dmp, the effect will
remain at maximum even after the keys are released, as long
as the damper (sustain) pedal is pressed.

Gate2, G2+Dmp (Gate2+Damper)
This is essentially the same as for Gate 1 or G1+Dmp. How-
ever when Gate 2 or G2+Dmp are used as a dynamic modu-
lation source for the EG of 022: St.Env.Flanger etc. or the
AUTOFADE of 027: St.Vibrato, a trigger will occur at each
note-on. (In the case of Gate 1 and G1+Dmp, the trigger
occurs only for the first note-on.)

Pdl#4 (Foot Pedal: CC#04)
If you wish to use the assignable foot pedal as a dynamic
modulation source, set “Foot Pedal Assign” (GLOBAL 6.1–
1a) to Foot Pedal (CC#04). (

☞p.233 “Foot Pedal Assign”)

A foot controller etc. connected to the ASSIGNABLE PEDAL
jack can be used to control an effect.

Sld#18 (Value Slider: CC#18)
When the 1.1:Play “Program Select” or “Combi Select” edit
cell is selected in Program mode or Combination mode, the
[VALUE] slider will function as a controller corresponding
to CC#18.

Kb1#17 (Knob Mod1: CC#17)
Kb2#19 (Knob Mod2: CC#19)
Kb3#20 (Knob Mod3: CC#20)
Kb4#21 (Knob Mod4: CC#21)
If you wish to use a REALTIME CONTROLS knob [1]–[4] as
a dynamic modulation source, make settings in Program,
Combination, Song, or Song Play modes to set the 2.2: Ed–
Ctrl/Controller page parameter “Knob B Assign” to the fol-
lowing settings respectively: “Knob1-B” to Knob Mod.1
(CC#17)

, “Knob2–B” to Knob Mod.2 (CC#19), “Knob3–B” to

Knob Mod.3 (CC#20)

, or “Knob4–B” to Knob Mod.4

(CC#21)

. (

☞p.231 “Knob 1...4 B Assign”)

When you set REALTIME CONTROLS to B mode and oper-
ate knobs [1]–[4], the effect will be controlled.
Moving the knob to the 12 o’clock position will produce a
effect of 0 as the dynamic modulation source. If “(Amount)”
is a positive (+) value, rotating the knob toward the right
will produce a positive change in the effect, and rotating it
toward the left will produce a negative change. (With nega-
tive (–)

values, the opposite effect will result.)

Kb1[+] (Knob Mod1: CC#17 [+] )
Kb2[+] (Knob Mod2: CC#19 [+] )
Kb3[+] (Knob Mod3: CC#20 [+] )
Kb4[+] (Knob Mod4: CC#21 [+] )
These differ from Kb1#17 (Knob Mod1: CC#17)–Kb4#21
(Knob Mod4: CC#21) in the knob position and direction of
the effect. If “(Amount)” is set to a positive (+) value, rotat-
ing the knob to the far right will produce an effect of 0 as the
dynamic modulation source. Rotating the knob toward the
right will apply an effect only in the positive direction. (With
negative (–)

settings, the opposite effect will result.)

SW1#80 (SW1 Mod.: CC#80)
SW2#81 (SW2 Mod.: CC#81)
If you wish to use the [SW1] or [SW2] key as a dynamic
modulation source, make settings in Program, Song, or Song
Play modes to set the Controller tab parameter “SW Assign”
to the following values respectively: “SW1” to SW1 Mod.
(CC#80)

, or “SW2” to SW2 Mod. (CC#81) (

☞p.230 “SW1/2

Assign”).
The effect will be controlled when you operate the [SW1] or
[SW2] key.

FSW#82 (Foot Switch: CC#82)
If you wish to use an assignable foot switch as a dynamic
modulation source, set “Foot SW Assign” (GLOBAL 6.1–1a)
to Foot SW (CC#82) (

☞p.232 “Foot Switch Assign”).

The effect will be controlled when you operate a foot switch
etc. connected to the ASSIGNABLE SWITCH jack.

Tempo
Modulation sources other than Tempo are internally pro-
cessed as a value of 0–127 (–128 – +127). In contrast, Tempo
uses the tempo data (BPM value) of the internal clock or the
external MIDI clock. This means that when “ ” is 127 (BPM),
it will have the same result as the maximum value (+127) of
other modulation sources.

Gate1, G1+Dmp

Gate1

Note

Dmpr

1

2

3

1

2

3

Damper Pedal

G1+Dmp

Time

On

Off

Gate2, G2+Dmp

Gate2

Note

Dmpr

1

2

3

1

2

3

Damper Pedal

G2+Dmp

Time

On

Off

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