Kodak 250D 5205 - Manual (Page 2)

Daylight (5500 K) None 250
Tungsten (3000 K) WRATTEN Gelatin No. 80A 64
Tungsten (3200 K) WRATTEN Gelatin No. 80A 64
Tungsten Photoflood (3400 K) WRATTEN Gelatin No. 80A 64
White-Flame Arcs Color Compensating Filter CC20Y + CC10C 160
Yellow-Flame Arcs Color Compensating Filter CC30C + CC10M 160
OPTIMA 32 WRATTEN Gelatin No. 80A 64
VITALITE None 250
Fluorescent, Cool White † Color Compensating Filter CC20M 200
Fluorescent, Deluxe Cool White † WRATTEN Gelatin No. 82C 160
Metal Halide H.M.I. None 250
*These are approximate corrections only. Make final corrections during printing.
†These are starting-point recommendations for trial exposures. If the type of fluorescent lamp is unknown,
use a KODAK Color Compensating Filter CC20M + CC10B with an exposure index (EI) of 125.
LIGHT SOURCE KODAK FILTERS ON CAMERA* EXPOSURE INDEX
-2.8 Stops -2.5 Stops -1.4 Stops -1.3 Stops -1.0 Stops 0 Stops +.5 Stops +2.5 Stops
Base
Acetate safety base with rem-jet
backing.
Darkroom Recommendations
Do not use a safelight. Handle
unprocessed film in total darkness.
Processing
ECN-2
Storage
Store unexposed film at 13°C (55°F) or
lower. For storage of unexposed film
longer than 6 months, store at
-18°C (0°F). Process film promptly.
Exposure Index
Daylight (5500 K)—250;
Tungsten (3200 K)—64 (with KODAK
WRATTEN Gelatin Filter No. 80A).
Laboratory Aim Density
Time negative originals relative to
Laboratory Aim Density (LAD)
Control Film supplied by
Eastman Kodak Company.
Color Balance
This film is balanced for exposure with
daylight illumination (5500 K). For other
light sources, use the correction filters
in the table below.
Postproduction information
When you transfer this film directly to
video, set up the telecine using negative
Telecine Analysis Film (TAF).
1
2
4
5
6
1
1
2 3 4 5 6 7
7
8
8
Original Negative
E
XPOSURE D ATA
Lens: 11:1 PANAVISION
Primo Zoom (26 mm)
Filter: None
Aperture: T2.8 8/10
Incident Light Levels
Key = 64fc
Color temperature = 5350K
3