Line 6 Studio 110 - Manual (Page 12)

About the Synth:
Selecting the Synth re-works the amp controls to give
you Analog Synth control over the Bass Synth. Here’s
what happens:
Drive
Adds post filter distortion. Start with this knob at 10
o’clock for a little dirt.
Cutoff (Bass)
Filter Frequency Cutoff. Start with this at 10 o’clock
for deeper synth tones.
Resonance (Low Mid)
As you turn this knob clockwise you bring in resonance,
think laser sounds.
Envelope (High Mid)
Filter Envelope Depth. The Filter Envelope is triggered
every time you play a new and clear note. The
Envelope amount controls how much the filter will
open each time you play a note.
Attack/Decay (Treble)
Filter Envelope Rate. Controls the speed of the Filter
envelope from fast to slow. Start with this control at
9 o’clock for typical Synth bass sounds.
Waveform (Opto Comp)
A number of Waveforms are offered on this knob:
1
2
3
4 5 6
7
8
9
1. Sawtooth
2. Sawtooth plus Octave Down
3. Sawtooth plus Octave Down Sawtooth
4. Triangle PWM
5. Triangle plus Octave Down
6. Square
7. Square PWM plus Octave
8. Square PWM plus Octave Down with Chorus and
added fifth
9. Square PWM plus Octave Down & Chorus