Panasonic AJ-HDX900 User Manual

Page 3

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The 720p/1080i HD Multi-Format Camera

Able to record in the 11 HD formats listed below, the AJ-HDX900

can produce content for use virtually anywhere in the world. And

with its versatile features, the AJ-HDX900 can be used to

produce virtually any kind of HD video content — TV programs,

music videos, stock footage, corporate video and much more.

Records in these HD Formats

Progressive HD CCD Provides High Sensitivity
and Superior Image Quality

The 2/3" 1-million-pixel IT 3CCD system delivers superb HD

imagery combined with exceptional sensitivity of F10 at 2,000 lx.

The AJ-HDX900 can capture outstanding shots in lighting as low

as 0.032 lx (at +62 dB gain). The native progressive video format,

which drives the CCDs continuously in progressive mode, outputs

high-quality HD images that are suitable for use in filmlike

production or in combination with computer graphics.

14-bit Digital Conversion

In the AJ-HDX900, we offer a 14-bit A/D conversion system, an

upgrade over a conventional 12-bit system. We also incorporated

a new high-performance digital signal processing (DSP) circuit.

The 12-axis color correction matrix lets you make fine

adjustments in specific color regions. Functions such as skin

detail let you further fine-tune the image.

New Filmlike 3 Gamma Curve

We also added a new Filmlike gamma mode called Filmlike 3, to

the popular Filmlike 1 and Filmlike 2 gamma modes found in the

AJ-SDX900 and AJ-HDX400. Filmlike 3 produces a film-like

texture that makes images

more emotionally

expressive. This makes

Filmlike 3 a good choice for

certain TV programs, music

and video clips, and other

content.

DVCPRO HD: Professional Quality Pictures

Designed to broadcast specifications, the DVCPRO HD codec

combines a video bit rate of 100 Mbps with 4:2:2 sampling and

intra-frame compression. This reliable recording system also

minimizes quality degradation with fast-moving subjects and is

highly resistant to drop-out.

The DVCPRO HD-LP format allows 33 minutes of recording on a

medium-size cassette with reliable 1/4" metal particle tape.

New DRS (Dynamic Range Stretching) Function

DRS further extends the auto knee function. It recognizes the

average brightness of highlight and shadow areas and then

automatically adjusts the aperture and uses knee control to

suppress blown highlights in the shadow areas. In scenes with

mixed dark and light areas, such as when moving from indoors to

outdoors, DRS automatically provides a wider dynamic range with

minimal blown highlights and blocked shadows with no need to

manually tweak the camera for each specific condition.

Digital Super Gain (Cumulative Mode)

The AJ-HDX900 provides an easy-to-use, pushbutton super gain

function with a maximum gain of +36 dB. In addition, it introduces

a new digital super gain (in cumulative mode) utilizing the variable

frame rate technology of Varicam and allowing an extra gain of

+20 dB (at 6 fps). Unlike conventional gain adjustment, digital

super gain is virtually noise-free*, so picture quality is preserved

intact. With super gain and digital super gain, the AJ-HDX900

allows ultra-high-sensitive shooting at up to +62 dB.

*At maximum gain (+62 dB) there may be a slight amount of noise.

48-kHz/16-bit, 4-Channel Digital Audio

The AJ-HDX900 can record full 48-kHz/16-bit digital audio on all

four channels. You can freely select the audio source for each

channel, choosing from mic, line, wireless receiver, and others.

A 5-pin XLR jack with 2-channel compatibility is used for the front

mic input. Using the AJ-MC900G optional stereo microphone lets

you record stereo with a single mic.

M U L T I - F O R M A T H D R E C O R D I N G W I T H H I G H S E N S I T I V I T Y A N D S U P E R I O R I M A G E Q U A L I T Y

Q U A L I T Y

59.94Hz area

50Hz area

1080

1080/59.94i

1080/29.97p (over 59.94i)

1080/23.98p (over 59.94i)

1080/23.98pA (over 59.94i)

1080/50i,

1080/25p (over 50i)

720

720/59.94p,

720/29.97p (over 59.94p),

720/23.98p (over 59.94p)

720/50p,

720/25p (over 50p)

Nomal Gain UP Image

Digital Super Gain UP Image

Input

Output

SD

HD

FILMLIKE1

FILMLIKE2

FILMLIKE3

Gamma Curve

Video Gamma Image

Filmlike 3 Gamma Image

DRS "OFF" Image

DRS "ON" Image

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