Pioneer DJ Mixer DJM-T1 User Manual

Page 17

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DRB1558-A

En

17

Op
eration

2 Press the [CUE (TAP)] button for the channel you want to
monitor.

3 Turn the [HEADPHONES MIXING] control.

Adjusts the monitor volume balance between the sound of the channel whose [CUE
(TAP)] button is pressed and the [MASTER] channel sound.
! To monitor only the sound of the [MASTER] channel, turn the

[HEADPHONES MIXING] control clockwise from the center position.

4 Turn the [HEADPHONES LEVEL] control.

The sound of the channel whose [CUE (TAP)] button is pressed and the sound of the
[MASTER] channel are mixed and output from the headphones.
! Monitoring is canceled when the [CUE (TAP)] button is pressed again.

Select the crossfader curve characteristics.

Switch the [CROSS F. CURVE (THRU, , )] selector switch.

— [THRU]: Choose this when you do not want to use the crossfader.

— [ ]: Set here for a curve that rises gradually.

— [

]: Sets an abruptly rising curve. (When the crossfader is moved away

from the edge on the [CH 1] side, the sound of the [CH 2] side is output
immediately.)

Adjusting the crossfader’s operating load

The load (resistance) when the crossfader is operated can be adjusted using a
flathead screwdriver.
! The crossfader’s attenuation curve and the play at the two edges of the fader (the cut

lag) can be adjusted. For details, see Changing this unit’s settings on page 25.

1 Move the crossfader to the right ([CH 2]) edge.

2 Insert the flathead screwdriver into the [FEELING ADJ.]
adjustment hole and turn it.

— Turn clockwise: The load decreases (the resistance of fader movement gets

weaker).

— Turn counterclockwise: The load increases (the resistance of fader move-

ment gets stronger).

Using the fader reverse function

The crossfader’s operating direction can be reversed by turning the
[CROSS F. REVERSE] switch on.

Set the [CROSS F. REVERSE] switch to [ON].

Audio is output from the [BOOTH] terminal

Turn the [BOOTH MONITOR] control.

Adjusts the level of audio signals output from the [BOOTH] terminal.

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