Peavey 2443/3243 User Manual

Page 9

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9

N

NO

OT

TE

E:: The CLIP LED can illuminate before the rest of the array indicating the summing amp is

clipping.

3

30

0.. LLE

EFFT

T,, R

RIIG

GH

HT

T,, M

MO

ON

NO

O ((O

OU

UT

TP

PU

UT

T A

AS

SS

SIIG

GN

N)) These switches determine where the Sub mix signal is

being sent. For example, if each individual drum mic is assigned to Sub 1, depressing the Left button
will send the drum Sub mix to the Left Out on the rear panel.

3

311.. M

MU

UT

TE

E//M

MU

UT

TE

E LLE

ED

D This switch mutes all output from the corresponding Sub group. Illumination

of the adjacent red LED occurs when the Mute button is depressed.

3

32

2.. A

AFFLL//A

AFFLL LLE

ED

D This switch directs the post-fader signal from the respective Sub group to the

Headphone Output and to the AFL/PFL Level Display.

3

33

3.. S

SU

UB

B FFA

AD

DE

ER

R This control determines how much signal is present at the selected output. As with

channel faders, optimum setting is at unity gain (0). If the output level is too quiet or too loud at
unity gain, the gain and fader settings on the channels assigned to the Sub mix should be checked.
If two Sub mixes, Sub 1 and Sub 2 for example, are intended to be in stereo, adjust both Faders
equally and simultaneously to preserve balance.

R

Re

ettu

urrn

nss

3

34

4.. P

PO

OW

WE

ER

R LLE

ED

D This green LED will illuminate when power is applied to the console, indicating the

unit is on.

3

35

5.. LLO

OW

W C

CU

UT

T This switch activates the low-cut (150 Hz -18 dB/per octave) filter. With this feature

engaged, input frequencies below 150 Hz will be rejected. Especially when using reverb, the low-cut
filter is useful in reducing “low-end rumble” and making resultant sounds less “muddy.”

3

36

6.. A

AU

UX

X 11 &

& A

AU

UX

X 2

2 These controls determine the level of the signal returned to the respective Aux

bus, allowing musicians/singers to hear external effects.

N

NO

OT

TE

E:: Do not use AUX SENDS 1 or 2 as the path to external equipment that is to be sent back to the

corresponding AUX mix (1 or 2) due to the creation of an electronic feedback loop.

3

37

7.. 11//2

2,, 3

3//4

4,, LL//R

R,, M

MO

ON

NO

O ((A

AS

SS

SIIG

GN

N)) Like the channel assign switches, these buttons determine the

bus assignment of the input signal. They determine where the return signal is being sent.

3

38

8 B

BA

ALL//P

PA

AN

N This control determines the placement of the signal in its assigned bus. Rotating the

control counterclockwise (L) sends more signal to the Left output and odd-numbered Subs; rotating
clockwise (R) sends more signal to the Right output and even-numbered Subs. The C position sends
equal amounts to each.

3

39

9.. LLE

EV

VE

ELL This control determines the level of the signal being sent to its assigned bus(es). It

functions similarly to the channel faders.

4

40

0.. M

MU

UT

TE

E S

SW

WIIT

TC

CH

H &

& M

MU

UT

TE

E//C

CLLIIP

P LLE

ED

D Like the other mutes on the console, this switch interrupts

the input signal being sent to the bus(es). Red LED illumination indicates activation. When Mute is
not engaged, the LED functions as a clip (PK) indicator that illuminates at 2 dB below clipping.

4

411.. A

AFFLL S

SW

WIIT

TC

CH

H &

& A

AFFLL//S

SIIG

GN

NA

ALL LLE

ED

D This switch directs the post-fader (AFL) signal to the

Headphone Output, and to the AFL/PFL Level Display. An adjacent LED illuminates to signify this
selection. If AFL is not selected, the LED will blink as an indication of signal presence (-20 dBu).

4

42

2.. P

PH

HA

AN

NT

TO

OM

M P

PO

OW

WE

ER

R These switches apply power (+48 V DC) to the Mic (XLR) inputs on channels

1–16 and 17–24 respectively (1–24 and 25–32 on the AAM 3243). This feature provides power to
microphones that need an external power source. These switches are recessed into the console and
require a small “tool” to activate. If Phantom Power is used, do not connect unbalanced dynamic
microphones or other devices that cannot handle this voltage to the XLR inputs. (Some wireless
receivers may be damaged. Consult their manuals.) A regular low-impedance mic will not be
harmed. The Line inputs are not connected to the +48 V supply and are safe for balanced or
unbalanced inputs. An adjacent LED will illuminate when Phantom Power is activated on its
respective channels.

4

43

3.. H

HE

EA

AD

DP

PH

HO

ON

NE

E O

OU

UT

TP

PU

UT

T This stereo output jack (TRS) provides the signal to drive headphones.

Signal to this output is L/R unless AFL or PFL is activated.

4

44

4.. H

HE

EA

AD

DP

PH

HO

ON

NE

E LLE

EV

VE

ELL This control adjusts the volume of the signal being sent to the Headphone

Output.

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