P. 93), 93 effects/parameter list, Space-d – Roland VR-760 User Manual

Page 93: Stereo chorus, St.flanger (stereo flanger), Step flanger, Stereo delay, Appendices

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93

Effects/Parameter List

Appendices

13: SPACE-D

This is a multiple chorus that applies two-phase modulation in
stereo. It gives no impression of modulation, but produces a
transparent chorus effect.

14: STEREO CHORUS

This is a stereo chorus. A filter is provided so that you can adjust the
timbre of the chorus sound.

15: ST.FLANGER (Stereo Flanger)

This is a stereo flanger. (The LFO has the same phase for left and
right.) It produces a metallic resonance that rises and falls like a jet
airplane taking off or landing. A filter is provided so that you can
adjust the timbre of the flanged sound.

16: STEP FLANGER

This is a flanger in which the flanger pitch changes in steps. The
speed at which the pitch changes can also be specified in terms of a
note-value of a specified tempo.

17: STEREO DELAY

This is a stereo delay.

When Mode is NORMAL:

fig.02-017am

When Mode is CROSS:

fig.02-017bm

Parameter

Value

Explanation

Pre Delay

0.0–100.0 ms

Adjusts the delay time from the di-
rect sound until the chorus sound
is heard.

Rate #

0.05–10.00 Hz

Frequency of modulation

Depth

0–127

Depth of modulation

Phase

0–180˚

Spatial spread of the sound

Low Gain

-15–+15 dB

Gain of the low range

High Gain

-15–+15 dB

Gain of the high range

Balance #

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the chorus sound
(W)

Level

0–127

Output Level

Parameter

Value

Explanation

Pre Delay

0.0–100.0 ms

Adjusts the delay time from the di-
rect sound until the chorus sound
is heard.

Rate #

0.05–10.00 Hz

Frequency of modulation

Depth

0–127

Depth of modulation

Phase

0–180˚

Spatial spread of the sound

Filter

OFF, LPF, HPF

Type of filter

OFF:

no filter is used

LPF:

cuts the frequency range

above the Cutoff Freq

HPF:

cuts the frequency range

below the Cutoff Freq

Cutoff

200–8000 Hz

Basic frequency of the filter

Low Gain

-15–+15 dB

Gain of the low range

High Gain

-15–+15 dB

Gain of the high range

Balance #

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the chorus sound
(W)

Level

0–127

Output Level

Parameter

Value

Explanation

Pre Delay

0.0–100.0 ms

Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.

Rate #

0.05–10.00 Hz

Frequency of modulation

Depth

0–127

Depth of modulation

Feedback #

-98–+98%

Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.

Phase

0–180˚

Spatial spread of the sound

Filter

OFF, LPF, HPF

Type of filter

OFF:

no filter is used

LPF:

cuts the frequency range

above the Cutoff Freq

HPF:

cuts the frequency range

below the Cutoff Freq

Cutoff

200–8000 Hz

Basic frequency of the filter

Low Gain

-15–+15 dB

Gain of the low range

High Gain

-15–+15 dB

Gain of the high range

Balance

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the flanger sound
(W)

Level

0–127

Output Level

Parameter

Value

Explanation

Pre Delay

0.0–100.0 ms

Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.

Rate

0.05–10.00 Hz

Frequency of modulation

Depth

0–127

Depth of modulation

Feedback #

-98–+98%

Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.

Phase

0–180˚

Spatial spread of the sound

Step Rate #

0.10–20.00 Hz, note

Rate (period) of pitch change

Low Gain

-15–+15 dB

Gain of the low range

High Gain

-15–+15 dB

Gain of the high range

Balance

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the flanger sound
(W)

Level

0–127

Output Level

Parameter

Value

Explanation

Delay L

0.0–500.0 ms

Adjusts the delay time from the di-
rect sound until the delay sound is
heard.

Delay R

Feedback #

-98–+98%

Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.

Mode

NORMAL, CROSS

Selects the way in which delay
sound is fed back into the effect.
(See the figures above.)

Phase L

NORMAL,
INVERT

Phase of the delay sound

Phase R
HF Damp

200–8000 Hz,
BYPASS

Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.

Low Gain

-15–+15 dB

Gain of the low range

High Gain

-15–+15 dB

Gain of the high range

Balance #

D100:0W–D0:100W

Volume balance between the direct
sound (D) and the delay sound (W)

Level

0–127

Output Level

R in

R out

L in

L out

Feedback
Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

EQ

2-Band

EQ

Delay

Delay

R in

R out

L in

L out

Feedback
Feedback

Balance W

Balance D

Balance W

Balance D

2-Band

EQ

2-Band

EQ

Delay

Delay

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