Picture, Pre l iminar y – Runco Video Xtreme VX-6000d User Manual

Page 65

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Operation

Runco VX-6000d Owner’s Operating Manual

53

PRE

L

IMINAR

Y

Picture

Use the controls in the Picture Menu to calibrate your VX-6000d for optimum picture
quality.

The VX-6000d has been designed to incorporate setup and calibration standards
established by the Imaging Science Foundation (ISF). The ISF has developed carefully
crafted, industry-recognized standards for optimal video performance and has
implemented a training program for technicians and installers to use these standards to
obtain optimal picture quality from Runco video display devices. Accordingly, Runco
recommends that setup and calibration be performed by an ISF certified installation
technician.

All signal types require separate processing. Therefore, you need to calibrate each input
separately.

Cinema

Select Cinema to view 2.35 source material
in its native aspect ratio.

With a 16:9 screen and a non-CineWide
projector (no anamorphic lens), the upper
and lower portions of the screen are
masked, but the geometry of the active
image area is unchanged.

With a 2.35:1 screen and a
CineWide-equipped projector, the DHD
Controller vertically stretches the 2.35
image so that the active image area fills the
16:9 chip surface, eliminating the black
bars. The secondary anamorphic lens then
stretches the image back to 2.35:1.

Virtualwide 2.35

A 16:9 image is scaled NON-linearly (more
on the sides than in the center) to fit a
2.35:1 screen.

Virtualwide 2.35 is available only on the
VX-6000d/CineWide and only on the
analog inputs (HD/RGB, SD Component,
Composite and S-Video).

Table 4-1. Aspect Ratio Settings (continued)

Aspect Ratio

Description

2.35:1 Image on

16:9 Screen

(without CineWide)

2.35:1 Image on

2.35:1 Screen

(with CineWide)

16:9 Image on

2.35:1 Screen with

VirtualWide 2.35

16:9 Image on

2.35:1 Screen

16:9 Image on

2.35:1 Screen

Picture

Brightness

Contrast

Color

Tint

Sharpness

When you change a picture quality setting, save the change to a
preset afterwards. Otherwise, the change will be lost when a
different input is selected. (Picture quality settings are saved for
each input and resolution separately.) For information about saving
settings, refer to ISF Presets on page 58.

Note

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