Rolls REQ215 User Manual

Page 2

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INTRODUCTION

The ROLLS REQ series equalizers are intended for room equalizing or sound

shaping and the approximate frequency response curve can be seen graphically

by the settings of the frequency controls. Recording and broadcasting studios,

sound contractors and musicians will appreciate the low noise, straightforward

design, and versatile signal control of the REQ series.

INSTALLATION

Your REQ series equalizer may be installed in a standard 19î rack or placed in

any dry, well ventilated area. The 1/4î connectors are balanced with the tip being

positive (+) and the ring negative (-), or will assume an unbalanced state with

unbalanced (TS) connectors. The XLR connectors are pin 2 positive (+). The

chassis is lifted from the circuit ground (as are all ROLLS products) to help

prevent ground loops. Since there are three types of input/output connectors, one

type may be used on the input and another on the output. This helps to eliminate

the need for special cables.

FRONT PANEL

The POWER switch is on when the red portion is showing. The VOL control

provides the boost or cut settings for the input signal level. The LED bargraph

shows the actual output level in dB so the use will know when the headroom is

exhausted. EQ IN/OUT is for bypassing the equalizer circuits. The HPF and LPF

controls are shelving filters , their 3dB down frequencies are indicated on the

dials. For widest bandwidth, the HPF should be on 10Hz and the LPF should be

set to 30 kHz. Frequency band slider controls cut or boost the indicated frequency

by +/- 12 dB for the REQ131, or +/- 6 dB for the REQ215. When the slider is in

the center or detented position, the frequency is left unmodified.

REAR PANEL

The rear panel contains the XLR, 1/4î, and RCA input and output jacks. Connect

the power cable to a properly grounded AC outlet.

OPERATION AND APPLICATIONS

The REQ equalizers are useful signal processing tools where precise frequency

control is needed across the audio spectrum. The frequency band centers are

ISO standard, so it is compatible with most real time analyzers. When used with

an analyzer, the REQ units may be used to tune an acoustical environment to

avoid ringing (feedback), increase clarity, and flatten the overall frequency re-

sponse. An analyzer is useful in determining the amount of equalization needed.

Insert the graphic equalizer between the signal source and the power amplifier or

crossover. Adjust the level and equalization as required to yield the desired

system response. The HPF and LPF are used to band-limit the frequency re-

sponse to increase clarity and reduce noise.

SPECIFICATIONS
Frequency Response:

16 Hz to 30 kHz +/-3 dB

THD:

<.03%

S/N Ratio:

>90 dB

Max Input:

+21 dB (REQ131)
+17 dB (REQ215)

Max Output:

+21 dB (REQ131)
+17 dB (REQ215)

Input Impedance:

10K

Ω (20K balanced)

Output Impedance:

50

LED Levels:

+17, +10, 0, -7, and -13 dB

Frequency Centers:

31 ISO standard 1/3 octave +/-3% (REQ131)
15 ISO standard 2/3 octave +/-5% (REQ215)

Shelving Slope:

12 dB / Octave (REQ131)
6 dB / Octave (REQ215)

Size:

19" x 6" x 1.75"
(48.3 x 15.2 x 4.5 cm)

Weight:

5 lbs. (2 kg)

AUX 2

RETURN

0 10

AUX 1

RETURN/

TAPE IN LEVEL

0 10

HEADPHONE LEVEL

0 10

LEFT

RIGHT

0

+20

+6

+14

-10

-15

-20

-30

-

¥

+17

+8

0

-4

-13

HEADPHONE

OUTPUT

AUX 1

0 10

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

BAL

11/12

0

+20

+6

+14

-10

-15

-20

-30

AUX 1

0 10

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

BAL

9/10

0

+20

+6

+14

-10

-15

-20

-30

AUX 1

0 10

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

BAL

7/8

0

+20

+6

+14

-10

-15

-20

-30

AUX 1

0 10

AUX 1

0 10

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

BAL

5/6

0

+20

+6

+14

-10

-15

-20

-30

AUX 1

0 10

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

PAN

4

0

+20

+6

+14

-10

-15

-20

-30

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

PAN

3

0

+20

+6

+14

-10

-15

-20

-30

AUX 1

0 10

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

PAN

1

0

+20

+6

+14

-10

-15

-20

-30

AUX 1

0 10

AUX 2

0 10

60

LOW

-15 +15

2.5 K
MID

-15 +15

12.5 k
HIGH

-15 +15

L R

PAN

2

0

+20

+6

+14

-10

-15

-20

-30

-

¥

-

¥

-

¥

-

¥

-

¥

-

¥

-

¥

-

¥

TAP

E

OUT

TAP

E

IN

R

L

TRIM

LIN

E

INSE

RT

MIC

1

INSE

RT

INSE

RT

INSE

RT

LIN

E

LIN

E

LIN

E

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

TRIM

PHANT

OM

P

OWER

LEFT

RIGHT

LEF

T

RIGHT

LEF

T

RIGHT

LEF

T

RIGHT

RIG

HT O

U T

AU X

2

RET.

LEFT

LEFT OUT

AUX 2

RET.

RIG

HT

AUX 1

RET.

RIG

HT

AUX 1

RE

T. L

EFT

AUX 1

OUT

AUX 2

OUT

MIC

2

MIC

3

MIC

4

MIC

5/6

MIC

7/8

MIC 9/

10

MIC 11/

12

+48V

OFF

+10

+60

+10

+60

+10

+60

+10

+60

+10

+60

+10

+60

+10

+60

+10

+60

VOLUME 1

VOLUME 2

P

OWER

A

MPLIFIER RA200

EQ

BYPASS

+17

+10

0

-7

-13

0

+12

LEVEL

16

20

30

50

100

HPF

LPF

500

400

1

200

HZ

KHZ

PWR

1.5

4

2

6

10

30 -12

20

25

31.5

40

50

63

80

100

125

160

200

250

315

400 500

630

800

1K

1.2K

1.6K

2K

2.5K

3.1K

4K

5K

6.3K

8K

10K 12.5K 16K

20K

+12

-12

LEFT RIGHT

EXAMPLE

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