Roland MIDI Implementation F-120R - Manual (Page 20)

MIDI Implementation
20
●0114: Guitar Amp Simulator
This is an eff ect that simulates the sound of a guitar amplifi er.
No Parameter Value Description
1 Pre Amp Sw 0–1 Off , On Turns the amp switch on/off .
2
Pre Amp
Type #1
0–13
JC-120,
Clean Twin,
MATCH Drive,
BG Lead,
MS1959I,
MS1959II,
MS1959I+II,
SLDN Lead,
Metal 5150,
Metal Lead,
OD-1,
OD-2 Turbo,
Distortion,
Fuzz
Type of guitar amp
3
Pre Amp
Volume
0–127 0–127
Volume and amount of
distortion of the amp
4
Pre Amp
Master
0–127 0–127 Volume of the entire pre-amp
5
Pre Amp
Gain
0–2
Low, Middle,
High
Amount of pre-amp distortion
6 Pre Amp Bass 0–127
0–127
Tone of the bass/mid/treble
frequency range
Middle cannot be set if
“MATCH Drive” is selected as
the Pre Amp Type.
7
Pre Amp
Middle
0–127
8
Pre Amp
Treble
0–127
9
Pre Amp
Presence
0–127
0–127
(MATCH
Drive:
-127–0)
Tone for the ultra-high
frequency range
10
Pre Amp
Bright
0–1 Off , On
Turning this “On” produces a
sharper and brighter sound.
This parameter applies to the
“JC-120,” “Clean Twin,” and “BG
Lead” Pre Amp Types.
11 Speaker Sw 0–1 Off , On
Determines whether the
signal passes through the
speaker (ON), or not (OFF).
12
Speaker Type
#2
0–15
(See the
table.)
Type of speaker
13 Mic Setting 0–2 1, 2, 3
Adjusts the location of the mic
that’s capturing the sound of
the speaker.
This can be adjusted in three
steps, from 1 to 3, with the mic
becoming more distant as the
value increases.
14 Mic Level 0–127 0–127 Volume of the microphone
15 Direct Level 0–127 0–127 Volume of the direct sound
16 Pan 0–127 L64–63R Stereo location of the output
17 Level 0–127 0–127 Output level
❍ Specifi cations of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in inches) and the
number of units.
Type Cabinet Speaker Microphone
Small 1 Small open-back enclosure 10 Dynamic
Small 2 Small open-back enclosure 10 Dynamic
Middle Open back enclosure 12 x 1 Dynamic
JC-120 Open back enclosure 12 x 2 Dynamic
Built-In 1 Open back enclosure 12 x 2 Dynamic
Built-In 2 Open back enclosure 12 x 2 Condenser
Built-In 3 Open back enclosure 12 x 2 Condenser
Built-In 4 Open back enclosure 12 x 2 Condenser
Built-In 5 Open back enclosure 12 x 2 Condenser
BG Stack 1 Sealed enclosure 12 x 2 Condenser
Type Cabinet Speaker Microphone
BG Stack 2 Large sealed enclosure 12 x 2 Condenser
MS Stack 1 Large sealed enclosure 12 x 4 Condenser
MS Stack 2 Large sealed enclosure 12 x 4 Condenser
Metal Stack Large double stack 12 x 4 Condenser
2-Stack Large double stack 12 x 4 Condenser
3-Stack Large triple stack 12 x 4 Condenser
●0120: Phaser
This is a stereo phaser. A phase-shifted sound is added to the original sound and
modulated.
No Parameter Value Description
1 Mode 0–2
4-Stage,
8-Stage,
12-Stage
Number of stages in the
phaser
2 Manual #2 0–127 0–127
Adjusts the basic frequency
from which the sound will be
modulated.
3 Rate Mode 0–1 Hz, note
When this is set to “note,” the
eff ect is synchronized with the
tempo.
4 Rate #1 1–127
0.05–10.00
Hz
Frequency of modulation (Hz)
5 Rate 0–21 note
Frequency of modulation
(note)
6 Depth 0–127 0–127 Depth of modulation
7 Polarity 0–1
Inverse,
Synchro
Selects whether the left and
right phase of the modulation
will be the same or the
opposite.
Inverse: The left and right
phase will be opposite. When
using a mono source, this
spreads the sound.
Synchro: The left and right
phase will be the same. Select
this when inputting a stereo
source.
8 Resonance 0–127 0-127 Amount of feedback
9
Cross
Feedback
0–98 -98–+98%
Adjusts the proportion of the
phaser sound that is fed back
into the eff ect. Negative (-)
settings will invert the phase.
10 Mix 0–127 0–127
Level of the phase-shifted
sound
11 Low Gain 0–30 -15–+15 dB Gain of the low range
12 High Gain 0–30 -15–+15 dB Gain of the high range
13 Level 0–127 0–127 Output Level