Internal effects, Effects selector, Effects variations – Tapco Blend 16 User Manual

Page 14: Fx input level and ol led, Fx bypass and led

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INTERNAL EFFECTS

The internal effects circuit receives mono signals

from the AUX 2 FX bus, and it outputs stereo signals
onto the main mix buses. It also adds a summed
mono signal to the stage monitor mix (AUX 1 bus).
The outputs are controlled by two FX RETURN (45, 46)
knobs described on the next page.

Inside the processor, the analog audio is

converted to digital, this is processed, and the result
converted into stereo analog signals.

Spicy curry can also result in some remarkable

internal effects, many in the audio frequency range.

. EFFECTS SELECTOR

The internal effects processor has 16 great preset

effects to enhance your sound, confuse cats, and
upset hamsters, if that is your idea of fun. Each has
been carefully modeled to represent standard
effects. Note that the output mutes momentarily
when changing effects.

5. EFFECTS VARIATIONS

As you rotate this control from position 1 through

to 16, the “strength” of the effect will increase.

For an example: for a reverb effect, a low number

will have a short reverb time, and a larger number
will have a longer reverb time.

6. FX INPUT LEVEL and OL LED

This knob allows you to adjust the signal level

going into the internal effects processor. This is
useful if the signal is too strong, and the processor
becomes overloaded.

If you see the FX OL overload light come on, turn

down the knob until it just turns off during the louder
passages, riffs, chords, yells, etc.

7. FX BYPASS and LED

Press this switch in to bypass the internal effects

processor, and so prevent its output from appearing
on the main mix or stage monitors. The LED reminds
you whenever the processor is bypassed.

Use BYPASS if you are not using the internal

effects, as it will reduce any extraneous interstellar
noise, or use it to quickly compare between the
effective effect of effects and the effect of no
effects.

VOCAL 1

SPRING REVERB

VOCAL 2

MONO DELAY

LARGE HALL

STEREO DELAY

SMALL HALL

FLANGER

LARGE ROOM

CHORUS

SMALL ROOM

REVERB + DELAY

PLATE

REVERB + FLANGER

TAPE REVERB

REVERB + CHORUS

U

U

MAX

PHONES

LAMP

BYPASS

EQ IN

FX OL

MAIN MIX

AUX1(MON)

POWER

PHANTOM 48V

1

MAIN

MIX

SUB

2

SUB

3

SUB

4

SUB

SUB ASSIGN

TO MAIN MIX

MASTER

AUX

SEND

CTRL RM

PHONES

CD/TAPE IN

TO MAIN MIX

TO

MAIN

MIX

TO

AUX1

MON

INTERNAL EFFECTS

SUBS

1-2

SUBS

3-4

MAIN

MIX

CD/

TAPE

FX

BYPASS

SOURCE

SELECT

RUDE SOLO

0dB = 0dBu

OUTPUT LEVEL

USB

SOURCE

OL

MAX

MAX

MAX

MAX

L

R

L

R

L

R

L

R

1

MON

2

FX

+15

+15

FX

RETURN

+15

+15

15

-

15+

5

10

0
5

10

-

15

+15

5

10

0

5

10

STEREO GRAPHIC EQ

64Hz

125Hz 400Hz

1kHz

2.5kHz

8kHz

16kHz

16

LEVEL

SET

12

8

4

0

-4

-12

-24

FX

INPUT

LEVEL

SPRING

M DELAY

ST DELAY

CHORUS

REV + FLANGER

REV + CHORUS

REV + DELAY

FLANGER

TAPE REV

PLATE

SM HALL
LG ROOM

LG HALL

VOCAL 1

SM ROOM

VOCAL 2

VARIATIONS

MAIN MIX
SUBS 1-2

(

PRE-FADER)

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

USB OUTPUT

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

10

dB

30

20

10

40
50

5

5

60

U

U

U

U

U

0

1







5

6

7

9

50

51

5

8



5

8

7

9

6

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