Waves Trans-X - Manual (Page 4)

Waves Trans-X software guide page 4 of 8
Chapter 2 – Using the Trans-X
Although using the Trans-X is easy (there are only a few controls to set), there
is still a range of subtle nuances and general functionality that gives complex
results. The Trans-X comes with a set of factory presets that can serve as
good starting points and are usually classified and named according to the
application they were designed to carry out.
S
ETUP
B
ASICS
The recommended technique for adjusting the Trans-X is to begin with
extreme Range settings to adjust the rough and conceptual picture and then
fine tune it by moderating the extreme settings to the desired effect.
The first step is to identify the element that needs transient processing.
All elements can benefit from the multiband advantage but in many cases the
wide band will simply do the trick. The general rule is that single instrument
tracks that seem to have good EQ but just need transient extension or
moderation, can do very well with the Wideband component, while mixed
percussion, full drum kits and also wide-range polyphonic tracks will usually
require the Multiband.
Here are some examples of such elements:
• Bass Drum that sounds good on its own but loses presence when it
plays along with other instruments.
• A snare drum that doesn’t sound close enough even when completely
dry. Or that sounds too punchy and needs to be looser.
• A Drum loop that sounds somewhat worn-out or originating from an old
and dull recording.
• A percussion track that needs focusing.
• An acoustic guitar that was recorded from too far away and needs to
sound closer or vice versa.
• A Bass guitar or synth that needs to more actively drive the music with
its rhythmic pattern.
• A piano or tuned percussion track (i.e. marimba, xylophone,
vibraphone) has overly aggressive attacks.
The Trans-X factory presets include a preset for all of the above elements.
Once you insert Trans-X, select the related preset from the Load menu on the
Plug-in’s top toolbar. Solo the track whose transients you are processing to
hear it on its own. Take the Range to the maximum value and fine-adjust the
duration and sensitivity to make the desired effect. If the sound seems grainy,
try a longer duration and release time. Un-Solo and review the duration and
sensitivity settings.