Using bitspeek with stereo signals – Sonic Charge Bitspeek RE User Manual

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PITCH OUT

Unlike

NOTE OUT

,

PITCH OUT

is bipolar and not quantized to semitones. It pro-

vides an alternative to connecting

NOTE OUT

if you need more exact pitch track-

ing. However, it requires a slightly more complicated setup, depending on imple-
mentation details of the synth you are connecting. E.g. Thor uses a different range
for CV pitch modulation than SubTractor and Malström.

When

PITCH OUT

is connected, the

NOTE OUT

signal will be fixed at middle C.

This is a convenience feature, allowing you to connect both CVs and letting

PITCH

OUT be responsible for pitch tracking and

NOTE OUT

simply provide the base note

for correct tuning.

STEREO : PAN OUT

The analyzed panning position of the source signal. Bipolar, so 0 is center, -1 is full
left and 1 is full right.

STEREO : WIDTH OUT

The analyzed stereo width of the source signal, in other words how much the left
and right input channels correlate. An output of 0 means 100% correlation

(i.e.

monophonic)

and an output of 1 means completely uncorrelated.

VOLUME : VOICE OUT

The linear amplitude of the "voiced" part of the source signal. You can use this CV
to control the amplitude of external oscillators fed back into

EXT IN

.

VOLUME : NOISE OUT

The linear amplitude of the "voiceless"

(noisy)

part of the source signal. You can use

this CV to control the amplitude of a noise generator fed back into

EXT IN

.

Using Bitspeek with Stereo Signals

The Rack Extension version of

Bitspeek

can be used with stereo signals. It will ana-

lyze the stereo image of the source signal and extract two parameters: panning and
stereo width

(corresponding to the amplitude balance and the correlation of left and

right signals)

.

Bitspeek

will then attempt to mimic the stereo image with the built-in

synthesizer.

The oscillator is only monophonic

(but panned)

while the noise is stereophonic and

copies the stereo width of the source signal. This solution opens up for some inter-
esting pseudo-reverb effects.

!

© 2012 Sonic Charge!

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