Manley REFERENCE MICROPHONES - 2010 - present - Manual (Page 5)

MICROPHONE CONTROLS
A: PATTERN SELECT CONTROL (GOLD MODELS)
***Remember that proximity effect is primarily affected by the polar pattern. Often
with vocalists, one wants a certain amount of bass boost associated with certain
mics and certain distances. Rather than just hoping that the CARDIOID setting will
do the right thing, this time try adjusting the PATTERN SELECT POT to “dial in”
the amount of proximity effect for this particular vocal. More OMNI will give less
proximity effect, while more FIGURE 8 will bring in more lows. In other words,
while this is only true for close miking, the PATTERN SELECT can be an effective
bass control.***
TIP: You may notice that as the pattern becomes more FIGURE 8 that certain air
conditioning rumbles and room noise exibit reduced pick-up. Conversely, if you want
more room sound, try moving the pattern select closer to OMNI...
Compared to many microphones, the Manley Reference Gold Microphones exibit less
proximity effect for a given close distance. This, we feel is a clear advantage. Most
engineers we consulted preferred the options of bass control from the console rather
than the typical situation where a few inches of distance can make or break a take. We
also chose to allow the frequency response of the Reference Mics to extend below 20
Hz. Some mics seem to have a low frequency resonance that can be desirable at times
while boomy or tubby at other times. Our goal is “flat and natural”.
B: - 10 dB PAD SWITCH (ALL MODELS)
This control provides the user with a choice of any
typical polar pattern. Many high quality condenser
microphones give the user 3 or 4 patterns only;
we chose to provide you with an infinite number
of patterns via this control. For example, a setting
between the “heart shaped” CARDIOID and
FIGURE 8 will result in “SUPER-CARDIOID”
and “HYPER-CARDIOID” patterns.
OMNI FIGURE 8
CARDIOID
0 dB
This tiny switch near the base of the microphone body reduces the signal by 10 dB.
Rather than changing the capsule voltage or adding a resistor into the signal path we
chose a better technique. We change the amount of negative feedback derived from
a dedicated transformer winding. While the tube circuit will handle any signal the
capsule can deliver the pad may be needed with some pre-amps. If you suspect that
the mic is distorting, first try a different mic pre. The capsule is rated for 150 dB SPL
but wind or air movement are exceptions. A pop filter will be needed for close vocals.
-10 dB
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