Pioneer DJM-850-S - Manual (Page 18)

Types of effects
BEAT COLOR FX/SOUND COLOR FX effect types
Effect Name [BEAT] button status Descriptions [COLOR] control
NOISE
Off
White noise generated inside this unit is mixed in to the
sound of the channel via the filter and output.
! The volume can be adjusted by turning the [TRIM] controls
for the respective channels. The sound quality can be
adjusted by turning the [EQ/ISO (HI, MID, LOW)] controls.
Turn counterclockwise: The cut-off frequency of the filter
through which the white noise passes gradually decreases.
Turn clockwise: The cut-off frequency of the filter through
which the white noise passes gradually increases.
On The volume changes in association with the beat.
Turn counterclockwise: The cut-off frequency of the filter
through which the white noise passes gradually decreases.
Turn clockwise: The cut-off frequency of the filter through
which the white noise passes gradually increases.
GATE
Off
The gate effect makes the sound tighter and reduces the
sense of volume.
Turn counterclockwise: The gate effect is applied to the
medium and high frequencies.
Turn clockwise: The gate effect is applied to the low and high
frequencies.
On
The sound is recorded while the gate is open, and when the
gate is closed, the recorded sound is output several times.
Turn counterclockwise: The gate effect is applied to the medium
and high frequencies, and the sampled sound is added.
Turn clockwise: The gate effect is applied to the low and high
frequencies, and the sampled sound is added.
CRUSH
Off
Changes the original sound to a crushed-like sound for
output.
Turn counterclockwise: Increases the sound’s distortion.
Turn clockwise: The sound is crushed before passing through
the high pass filter.
On The distortion changes in association with the beat.
Turn counterclockwise: Increases the sound’s distortion.
Turn clockwise: The sound is crushed before passing through
the high pass filter.
FILTER
Off Outputs sound that has passed through a filter.
Turn counterclockwise: Gradually decreases the low-pass
filter’s cutoff frequency.
Turn clockwise: Gradually increases the high-pass filter’s
cutoff frequency.
On
The filter’s cut-off frequency changes in association with
the beat.
Turn counterclockwise: Gradually decreases the low-pass
filter’s cutoff frequency.
Turn clockwise: Gradually increases the high-pass filter’s
cutoff frequency.
Types of BEAT EFFECT
DELAY
1
A delay sound is output once according to the beat fraction set with the
[BEAT c, d] buttons.
When 1/2 beat delay sound is added, 4 beats become 8 beats.
Original
(4 beats)
1/2 delay
(8 beats)
BEAT c, d buttons
(parameter 1) Use these to set a time delay of 1/8 – 16/1 with
respect to the time of one beat of the BPM.
TIME control (parameter 2)
Use this to set the delay time.
1 to 4000 (ms)
LEVEL/DEPTH control
(parameter 3) Use this to set the balance between the original
sound and the delay sound.
ECHO
1 2
A delay sound is output several times and gradually attenuated accord-
ing to the beat fraction set with the [BEAT c, d] buttons.
With 1/1 beat echoes, the delay sounds are faded out according to the
track’s tempo even after the input sound has been cut.
Input sound turned off
Time
Fade-out
1 beat
BEAT c, d buttons
(parameter 1) Use these to set a time delay of 1/8 – 16/1 with
respect to the time of one beat of the BPM.
TIME control (parameter 2)
Use this to set the delay time.
1 to 4000 (ms)
LEVEL/DEPTH control
(parameter 3) Use this to set the balance between the original
sound and the echo sound.
UP ECHO
1 2
A delay sound is output several times and gradually attenuated accord-
ing to the beat fraction set with the [BEAT c, d] buttons.
With 1/1 beat echoes, the delay sounds are faded out according to the
track’s tempo even after the input sound has been cut.
Also, it is also possible to change the pitch of the echo sound.
Fade-out
1 beat
Time
Input sound
turned off
BEAT c, d buttons
(parameter 1) Use these to set a time delay of 1/8 – 16/1 with
respect to the time of one beat of the BPM.
TIME control (parameter 2)
Use this to set the delay time.
1 to 4000 (ms)
LEVEL/DEPTH control
(parameter 3)
Use this to set the balance between the original
sound and the echo sound and to set the amount by
which the echo sound’s pitch changes.
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