4 configuring bria professional, Configuring bria professional – CounterPath Bria Professional 2.5 Administrator Guide User Manual

Page 11

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Bria Professional Administrator Guide

7

2.4 Configuring Bria Professional

You configure Bria Professional by completing the fields on the Account Settings window and the Preferences
window. The following table lists configurable features in alphabetical order and specifies the window where
the feature is configured.

File Transfer

File transfer lets users send and receive files. There are two ways to support this feature:

Via content indirection. In this case, files are sent via a SIP account. You must set up a file transfer server.
See page 20 for information.

Using the XMPP account. This method does not require special setup, but you must, obviously, be planning
to create XMPP accounts for your users.

Topic

Window

Reference

Account credentials (SIP accounts)

Accounts > Account (SIP)

page 15

Account credentials (XMPP accounts)

Accounts > Account (XMPP)

page 13

Bandwidth

Preferences > Network

page 29

Buddy list and privacy rules for SIP
accounts, storage

Accounts > Storage

page 23

Codecs

Preferences > Audio Codecs and Video
Codecs

page 30

Contact list, setting up a corporate contact
list

page 11

Contact list, storage

Preferences > Contact Storage

page 35

File transfer (SIP account)

Accounts > Topology

page 19

LDAP

Preferences > LDAP

page 34

Logging (troubleshooting)

Preferences > Diagnostics

page 36

Login

Preferences > Advanced

page 5, page 37

Media Encryption

Accounts > Security

page 24

Network (SIP accounts)

Accounts > Account (SIP)

page 15

Accounts > Topology

page 19

Accounts > Advanced

page 26

Network (XMPP accounts)

Accounts > Account (XMPP)

page 13

Presence

Accounts > Presence

page 21

Privacy (black lists and white lists)

Preferences > Privacy

page 28

Quality of service

Preferences > Quality of Service

page 33

Transport

Accounts > Security

page 24

Voicemail and call forwarding

Accounts > Voicemail

page 17

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