B-control audio bca2000, Introduction, 1 before you get started – Behringer BCA2000 User Manual

Page 5: 2 system requirements

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B-CONTROL AUDIO BCA2000

1. INTRODUCTION

Welcome to the family of BCA2000 users and thank you for

expressing your confidence in BEHRINGER products by

purchasing the B-CONTROL.

The BCA2000 is an extremely flexible USB audio and MIDI

interface with a unique design concept that will effectively

support you in your computer-based music and audio endeavors.

Our goal in designing the B-CONTROL was to create an

intuitive, flexible and optically attractive product that gives you

comfortable control (instead of those tiny knobs and buttons

found on so many interfaces) and plenty of connectivity options,

so that you can concentrate on what’s really important: your

music. That’s why we started by creating a mixing console with

a clean, concise layout: ultra-precise 100-mm faders, a high-

resolution LED level display, rugged construction, our ultra low-

noise IMP “invisible” microphone preamplifiers and an extensive

monitor section—features you’ve come to expect from a

BEHRINGER mixing console. Then we added a multitude of

interface functions: full 24-bit/96 kHz support in multichannel

operation, optical and coaxial digital connectors that support all

common formats, simultaneous reproduction of eight input and

eight output channels, 6 analog outputs for subgroup/stem or

5.1 surround reproduction and a simultaneously usable USB

MIDI interface. All of this makes the BCA2000 a one-of-a-kind

high-speed USB audio/MIDI interface featuring a comfortable

mixing console design.

+

The following

user’s manual is intended to

familiarize you with the unit’s control elements,

so that you can master all the functions. After having

thoroughly read the user’s manual, store it at a safe

place for future reference.

1.1 Before you get started

1.1.1 Shipment

The BCA2000 was carefully packed at the assembly plant to

assure secure transport. Should the condition of the cardboard

box suggest that damage may have taken place, please inspect

the unit immediately and look for physical indications of damage.

+

Damaged equipment should NEVER be sent directly

to us. Please inform the dealer from whom you

acquired the unit immediately as well as the

transportation company from which you took

delivery. Otherwise, all claims for replacement/

repair may be rendered invalid.

+

To assure optimal protection of your B-CONTROL

during use or transport, we recommend utilizing a

carrying case.

+

Please always use the original packaging to avoid

damage due to storage or shipping.

+

Never let unsupervised children play with the

B-CONTROL or with its packaging.

+

Please dispose of all packaging materials in an

environmentally friendly fashion.

1.1.2 Initial operation

Please make sure the unit is provided with sufficient ventilation,

and never place the B-CONTROL on top of an amplifier or in the

vicinity of a heater to avoid the risk of overheating.

A power supply unit which meets the necessary safety

requirements is enclosed for connecting the B-CONTROL to the

mains.

1.1.3 Warranty

Please take a few minutes and send us the completely filled

out warranty card within 14 days of the date of purchase to

assure unproblematic warranty processing in the future. You

may also register online at www.behringer.com. The serial number

needed for the registration is located at the bottom of the unit.

Failure to register your product may void future warranty claims.

1.2 System requirements

Operating system

Windows

®

XP

Computer

Windows

®

PC with USB connector

Processor

Intel Pentium Processor 1.2 GHz or better

Chip set

Intel chip set recommended

USB modes

Full eight-channel input/output operation

with 24-bit/96 kHz with USB 2.0

interface (High-Speed USB, 480 Mbps)

+

When connecting to a Full-Speed USB interface

(12 Mbps, also known as USB 1.1), only limited

operation is possible (see 1.2.2).

1.2.1 Outline of functions for High-Speed USB

(USB 2.0)

Audio inputs:

s

Simultaneous recording of three analog signals (1 x mono,

1 x stereo) and one stereo digital signal.

s

Alternatively, simultaneous recording of eight audio channels

at 44.1 kHz or at 48 kHz with the optical input in ADAT

®

format (four-channel recording at 24-bit/96 kHz with

ADAT

®

S/MUX).

s

Support for S/PDIF, AES/EBU, ADAT

®

, and ADAT

®

S/MUX

digital audio formats.

Audio outputs:

s

Simultaneous reproduction of eight output signals (six

analog and one stereo digital signal). The stereo digital

output signal is available in parallel on both the coaxial and

optical outputs.

s

Alternatively, reproduction of eight digital signals at 44.1 or

48 kHz via the optical output in ADAT

®

format (four-channel

reproduction at 24-bit/96 kHz with ADAT

®

S/MUX), also

available in parallel on analog outputs 1 to 6 and the coaxial

digital output.

s

Support for S/PDIF, AES/EBU, ADAT

®

, ADAT

®

S/MUX,

DOLBY

®

DIGITAL and DTS

®

digital audio formats.

MIDI:

s

Simultaneous use of all MIDI inputs and outputs.

1.2.2 Outline of functions for Full-Speed USB

Audio inputs:

s

Simultaneous recording of three analog signals (1 x mono,

1 x stereo) and one stereo digital signal.

s

Alternatively, simultaneous recording of four ADAT

®

channels

at 44.1 and 48 kHz.

s

Support of S/PDIF, AES/EBU and ADAT

®

digital audio formats.

Audio outputs:

s

Simultaneous reproduction of two stereo signals, available

in parallel on the analog and digital outputs.

s

Alternatively, reproduction of four ADAT

®

channels at 44.1

kHz or 48 kHz via the optical output, also available in parallel

on all analog outputs and on the coaxial digital output.

s

Support of S/PDIF, AES/EBU, ADAT

®

, DOLBY

®

DIGITAL and

DTS

®

digital audio formats.

MIDI:

s

Additionally, simultaneous use of all MIDI functions.

1. INTRODUCTION

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