Microphone t ypes, Acoustical specifications of compact microphones – SCHOEPS CCM User Manual

Page 19

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SCHOEPS GmbH · Spitalstr. 20 · D-76227 Karlsruhe (Durlach) · Tel: +49 (0)721 943 20-0 · Fax: +49 (0)721 943 2050

www.schoeps.de · [email protected]

Acoustical Specifications of Compact Microphones

19

Microphone T

ypes

microphone type

polar

frequency

sensitivity

equivalent noise level

signal-to-noise

max. SPL

pattern

range

CCIR A-weighted

ratio

(0,5%THD)

A-weighted

CCM 2

omni

20 Hz – 20 kHz

16 mV/Pa

23 dB

11 dB

83 dB

130 dB

CCM 2H

omni

20 Hz – 20 kHz

15 mV/Pa

23 dB

11 dB

83 dB

130 dB

CCM 2S

omni

20 Hz – 20 kHz

12 mV/Pa

24 dB

12 dB

82 dB

132 dB

CCM 3

omni

20 Hz – 20 kHz

10 mV/Pa

26 dB

14 dB

80 dB

134 dB

CCM 21

wide cardioid 30 Hz – 20 kHz

13 mV/Pa

24 dB

14 dB

80 dB

132 dB

CCM 21H

wide cardioid

30 Hz – 20 kHz

10 mV/Pa

26 dB

16 dB

78 dB

134 dB

CCM 22

Open Cardioid 40 Hz – 20 kHz

14 mV/Pa

23 dB

14 dB

80 dB

131 dB

CCM 4

cardioid

40 Hz – 20 kHz

13 mV/Pa

24 dB

15 dB

79 dB

132 dB

CCM 4V

cardioid

40 Hz – 20 kHz

13 mV/Pa

24 dB

14 dB

80 dB

132 dB

CCM 41

supercardioid

40 Hz – 20 kHz

14 mV/Pa

24 dB

15 dB

79 dB

132 dB

CCM 41V

supercardioid

40 Hz – 20 kHz

14mV/Pa

23 dB

14 dB

80 dB

132 dB

CCM 8

figure-8

40 Hz – 16 kHz

10 mV/Pa

26 dB

18 dB

76 dB

134 dB

CCM 5

omni

20 Hz – 20 kHz

10 mV/Pa

26 dB

14 dB

80 dB

133 dB

cardioid

40 Hz – 20 kHz

13 mV/Pa

24 dB

15 dB

79 dB

132 dB

CCM 4S

cardioid

80 Hz – 20 kHz

12 mV/Pa

25 dB

15 dB

79 dB

132 dB

CCM 40

cardioid

80 Hz – 20 kHz

18 mV/Pa

22 dB

12 dB

82 dB

129 dB

CCM 4A

cardioid

close pickup

3 mV/Pa

31 dB

19 dB

75 dB

144 dB

CCM 4VXS

cardioid

close pickup

10 mV/Pa

25 dB

14 dB

80 dB

134 dB

CCM 41S

supercardioid

80 Hz – 20 kHz

13 mV/Pa

24 dB

14 dB

80 dB

132 dB

A note about signal-to-noise specifications for
studio microphones. The standard method,
which SCHOEPS follows, is really just an alter-
nate way of stating a microphone's equivalent
noise level. It is designed to allow comparison
of noise floor levels for different microphones.
Unlike the signal-to-noise specifications for
other types of audio equipment, which give
the ratio of a component's clipping point to its
noise floor, these values do not indicate a
microphone's entire available dynamic range.
Instead, the values are measured with reference
to a standard sound pressure level of 1 Pascal
(1 Pa = 94 dB SPL). But the actual maximum
SPL capability of any usable microphone exceeds

that reference level substantially. The signal-to-
noise specifications of our microphones would
be 35 to 40 dB greater if the “hi-fi” approach
were used.

The use of “A” weighting when specifying

the equivalent noise level of microphones is
another frequently misunderstood aspect of the
standards. “A” weighting yields a distinctly
lower noise specification – mostly by 10 dB or
more – and this figure, of course, becomes the
one most often cited in advertising. In practice,
however, the CCIR weighted noise level may
well be a more accurate indicator of a micro-
phone's perceived noise level.

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