Appendix a - a history of eq curves – Abbingdon Music Research PH-77 Reference Class User Manual

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Stereophonic Microgroove LP Records Monophonic Microgroove LP Records

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Comments

Display Name

Comments

RIAA

Modern stereo LP playback curve

Mono RCA 50

RCA, Urania, Lyrichord

eRIAA

Modern stereo LP playback curve

Mono FFRR 49

Decca & London 1949-1951

but corrects the high frequency roll-off

Mono FFRR 51

Decca & London 1951

and excessive phase shift of vinyl

Mono FFRR 52

Decca & London 1952

cutting lathes (Enhanced RIAA EQ)

RIAA(DMM) Corrects for the hard, metallic sound of DMM Mono FFRR 53

Decca & London post 1953

Columbia

Columbia LP stereo

Mono AES 51

1951 AES Standard

DECCA (FFSS)

Decca & London,Deutsche Grammophon,

Mono Columbia 48

Early Columbia LP mono

Archiv, polygram, NAB, Philips, and ARGO

Mono Columbia 52

Late Columbia LP mono

CCIR 56

Europe pre appx. 1962, Eastern

Mono EMI

Early EMI LP

Europe & Asia pre appx. 1975

Mono CCIR 53

Europe pre appx. 1956

Mono CCIR 56

Europe pre appx. 1962, Eastern

Europe & Asia pre appx. 1975

Monophonic Microgroove LP Records

Mono Bartok

Bartok LP’s

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Mono NAB

1942 also NARTB

Mono RIAA

also RCA Orthophonic, adopted pro-

Mono 78 RCA 38

RCA electrical 78RPM post appx. 1938

gressively after 1954

Mono 78 Columbia 38

Columbia electrical 78 RPM post appx.

Mono eRIAA

Same as RIAA, but corrects the high

1938

frequency roll-off and excessive phase

shift of the vinyl cutting lathes (Enhanced

RIAA EQ)

*The RIAA ‘Direct Metal Mastering’ Curve is not a standard EQ Curve. This unqiue AMR ‘Curve’ was developed specifically to correct for the ‘bright’ and
‘metallic’ edge of DMM recordings.

Appendix A - A History of EQ Curves

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