Surround sound modes, Pro logic ii, Dts neo:6 – Cambridge Audio Azur 540R V3 User Manual

Page 16: Dsp modes, Dolby digital, Dolby digital ex, Dts-es matrix, Dts-es discrete

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Pro Logic II

The replacement for original Pro Logic, Pro Logic II is a technology where

5 channels (Front Left, Front Right, Centre, Surround Left, Surround

Right) are encoded into a Stereo mix by an analog matrix process. Dolby

Pro Logic II material can be played back by normal Stereo equipment (as

Stereo) or decoded into 5 channel surround-sound.

Dolby Pro Logic II is compatible with the earlier 4 channel (Left, Centre,

Right and mono Surround) Dolby Pro Logic system (which was the

decoding counterpart to Dolby Surround encoding) as used widely on

Video tapes, TV broadcasts and earlier films.

Note: Pro Logic does not include a Low Frequency Effects channel for

the Subwoofer, but the 540R v3 can create a Subwoofer output (for 5.1)

via Bass management. Refer to the ‘Advanced bass management’

section in the ‘Operating instructions’ part of this manual.

DTS Neo:6

A DTS technology which is able to recreate 6 channel (Left Front, Right

Front, Centre, Left Surround, Right Surround, Surround Back ) surround

sound from suitable analog matrix encoded stereo source material. DTS

Neo:6 material can be played back by normal Stereo equipment (as

Stereo) or decoded into 6 channel surround-sound.

Note: Neo:6 does not include a Low Frequency Effects channel for the

Subwoofer, but the 540R v3 can create a Subwoofer output via Bass

management. Refer to the ‘Advanced bass management’ section in the

‘Operating instructions’ part of this manual.

DSP modes

These modes allow a realistic surround-sound experience from source

material that has no encoding at all. The surround sound effect is

achieved by Digital Signal Processing of the Analog or Digital stereo

source used. Five modes are possible: Movie, Music, Room, Theatre and

Hall.

The 540R v3 has several music and home-cinema listening modes

available. The output from the 540R v3 will depend both on the source

signal present, the speaker setup selected and the decode mode

selected on the 540R v3. Before we describe how to operate the 540R

v3, below is a brief guide to the surround sound formats that the 540R

v3 is compatible with:

Dolby Digital

Known also as DD (3/2) or DD 5.1, provides (up to) 5.1 output from

suitable encoded Dolby Digital material, with 5 main channels (Front

Left, Front Right, Centre, Surround Left, Surround Right) and a Low

Frequency Effects Channel for the subwoofer, all discretely encoded.

Decoding Dolby Digital requires a Dolby Digital encoded DVD disc and a

digital connection from the source equipment (Such as a DVD player) to

the 540R v3.

Note: Dolby Digital and DTS formats can sometimes carry less channels

than their maximum such as Dolby Digital (2/0) which means a Dolby

Digital encoded signal which is actually only carrying a two channel

stereo signal (other channels inactive).

DTS

Known also as DTS (3/2) or DTS 5.1, DTS provides (up to) 5.1 output

from suitable encoded DTS material, with 5 main channels (Front Left,

Front Right, Centre, Surround Left, Surround Right) and a Low Frequency

Effects Channel for the subwoofer, all discretely encoded. Decoding DTS

requires a suitably encoded DTS disc and a digital connection from the

source equipment to the 540R v3.

Dolby Digital EX

Known also as DD (3/3) or DD 6.1, an enhanced form of Dolby Digital.

On top of the discretely encoded 5.1 channels DD EX provides an extra

6th channel (Surround Back, giving 6.1) matrix encoded into the rear

surrounds for greater image depth and more solid sound localisation

behind the listener. DD EX requires a DD EX encoded disc. DD EX is

backwards compatible with DD 5.1 decoding. If DD EX is decoded as

normal DD the Surround Back signal will be present in both Left and

Right Rear Surrounds (forming a phantom rear centre).

DTS-ES Matrix

Known also as DTS (3/3) Matrix, an enhanced form of DTS. On top of the

discretely encoded 5.1 channels DTS ES also provides an extra 6th

channel (Surround Back giving 6.1), matrix encoded into the rear

surrounds for greater image depth and more solid sound localisation

behind the listener. DTS ES requires a DTS ES encoded disc. DTS ES

material is backwards compatible with DTS 5.1 decoding. If DTS ES is

decoded as normal DTS the Surround Back signal will be present in both

Left and Right Rear Surrounds (forming a phantom rear centre).

DTS-ES Discrete

Another enhanced form of DTS, also known as DTS (3/3) Discrete or DTS

ES Discrete 6.1. DTS ES Discrete also provides an extra channel

(Surround Back) for greater image depth and more solid sound

localisation behind the listener, however in this case extra data is

included in the bitstream so that all channels are discretely encoded.

The Surround Back has greater separation from the other channels than

is possible with matrix encoded technologies. DTS-ES Discrete requires

a DTS-ES Discrete encoded disc.

DTS ES Discrete is backwards compatible with both DTS 5.1 and DTS ES

Matrix 6.1 decoding. If DTS ES Discrete is decoded as normal DTS the

Surround Back signal will be present in both Left and Right Rear

Surrounds (forming a phantom rear centre). If DTS ES Discrete is

decoded with DTS ES Matrix the Surround Back signal will be decoded

separately (i.e. as 6.1) but by a matrix process, which will give the same

channel separation as if the source disc were actually DTS ES Matrix

(but not as good as DTS EX Discrete).

Surround sound modes

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