Cowbell, Tune, Detune – Audio Damage Tattoo User Manual

Page 26: Filter cut and filter q, Amp envelope, More

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emulates this feature. Turn it up and you’ll hear decaying noise simulated reverberation add depth and
spaciousness to the clap sound.

Cowbell

Ah, the TR-808 cowbell. Despite the fact that it doesn’t sound much like a real cowbell, it has become a staple
of dance music rhythm tracks. Tattoo’s cowbell voice is a faithful reproduction of the 808 sound that we all
know if not love, with a number of additional controls for more sonic flexibility.

Tune

The

Tune

knob—well, by now you can guess what this does, right?

Detune

Tattoo’s cowbell voice starts with a dense signal generated by several oscillators of different pitches. The

Detune

knob changes the relative tuning of the oscillators, changing the cowbell’s overall timbre.

Filter Cut and Filter Q

The cowbell voice includes a bandpass filter after the oscillators. Turning the

Filter Cut

knob changes the

center frequency of this filter, changing the tone of the cowbell. Turning the knob clockwise makes the cowbell
sound brighter. The

Filter Q

knob changes the width, or resonance (designated by “Q” in engineering circles)

of the filter. Higher settings of the

Filter Q

knob narrow the filter’s response, emphasizing the electronic

nature of synthesized cowbell sounds.

Amp Envelope

The amplitude envelope controls the cowbell’s overall loudness. Cowbell sounds typically have a short and
rapid decay, but you can lengthen Tattoo’s cowbell sound if you want it to really explore the studio space.

More

If you have a fever, and the only prescription is more cowbell, this is your button.

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