elysia nvelope - Manual (Page 11)

-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0 -1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200 150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420 300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0 -1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0 -1.0 200 150 420 300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0 -1.0
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0 -1.0
dB
Attack
50
30
25
8k0
4k0
590
330
20
1k2
200 150
Hz
Freq A
100
60
55
15k
7k0
1k3
600
50
2k5
420 300
Hz
Freq S
DISCRETE CLASS-A
STEREO IMPULSE SHAPER
NVELOPE
dB
Sustain
-5.0
-8.0
-11
15
11
5.0
3.0
-15
8.0
1.0 -1.0
Stereo
Link
Left
On
EQ
Mode
Full
Range
Auto
Gain
Right
On
EQ
Mode
Full
Range
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
50
30
25
8k0
4k0
590
100
20
1k2
100
60
55
15k
7k0
1k3
200
50
2k5
1.0 -1.0 200 150 420 300
dB Hz dB Hz
Attack Freq A Sustain Freq S
-5.0
-8.0
-11
15
11
5.0
-3.0
-15
8.0
1.0 -1.0
11
Mixed Mode
When the nvelope is not in Stereo Link mode, the two individu-
al channels can be used as different processors simultaneously.
For example, you can shape one signal in Dual Band mode in channel L
and a completely different signal in Full Range mode in channel R.
Or, you can connect the output of channel L to the input of channel R,
and then process the frequency response with the EQ first, followed by
some nice Dual Band impulse shaping...
As you can imagine, there are lots of possible combinations!
Dual Band (L) & Full Range (R)
EQ (L) & Dual Band (R)