Mariner Software Contour for Mac User Manual
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...INSIDE THE WHALE
In classic mythological storytelling, this is the "belly of the beast" or the "inside the darkest cave" moment for the main
character. Often the scene takes place in a confined space, representing that the forces at play against the protagonist
are closing in...tightening...and the protagonist must dig "deep" and face his or her darkest fear.
Indiana Jones is abandoned inside the Well of Souls, surrounded by snakes. (RAIDERS OF THE LOST ARK)
Luke goes into the cave and faces what he thinks is Darth Vader, but is actually a representation of the dark side of
the force that is within him. (THE EMPIRE STRIKES BACK)
Sam and gang are deep within Hoover Dam as Megatron is unfrozen. (TRANSFORMERS)
Kevin is forced to go into the basement and confront the very scary boiler. (HOME ALONE)
DEATH & REBIRTH
Another classic moment. Have your main character seemingly die and then be reborn. In many ways this is the ultimate
moment in the arc of your protagonist; the moment when he sheds the skin of his old life and emerges newly formed, self-
actualized, and ready to prove himself to the world.
The death and rebirth can massaged in a variety of ways, and you can sometimes hand it to the character most closely
associated with your protagonist's highest aspirations. In romantic comedies, write this section so that it charts the death
of the hoped for relationship followed by the realization of what's needed to give it new hope.
Elliot is fading, and E.T. "disconnects" himself from Elliot. Elliot's vital signs improve and E.T. "dies." Once Elliot
heartbreakingly admits how little he now feels, E.T. is resurrected with the return of the spaceship to take him
home. (E.T.: THE EXTRA-TERRESTRIAL)
Annie believes that Sam is involved in a serious relationship and is giving him up, only to be called to action by
Jonah's letter asking her to meet at the Empire State Building. (SLEEPLESS IN SEATTLE)
Bob jumps into the water and is presumed blown to bits. (THE INCREDIBLES)
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