English – Studiologic SL880 User Manual

Page 9

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“SPLIT NOTE” KEY RANGE FOR

ZONE#4

LOW NOTE ________

HIGH NOTE ________

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MIDI CHANEL:

BANK SELECT:

PATCH NUMBER:

TRANSPOSE:

SUSTAIN PEDAL:

WHEELS:

AFTERTOUCH:

SHAPE:

GLOBAL SETTING VELOCITY CURVE: __________

Patch Name: ______________

Description: ______________

Comments: ___________________________________________________
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“SPLIT NOTE” KEY RANGE FOR

ZONE#1

LOW NOTE ________

HIGH NOTE ________

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“SPLIT NOTE” KEY RANGE FOR

ZONE#2

LOW NOTE ________

HIGH NOTE ________

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“SPLIT NOTE” KEY RANGE FOR

ZONE#3

LOW NOTE ________

HIGH NOTE ________

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“SPLIT NOTE” KEY RANGE FOR

ZONE#4

LOW NOTE ________

HIGH NOTE ________

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BLANK PATCH PARAMETER

CHART:

Model SL-880 Studio

Logic Master Controller

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ZONE # 1

ZONE # 2

ZONE # 3

ZONE # 4

that way.
Live or Studio application: Using the BANK SELECT feature get to those often useful and alter-
nate patches not stored in the first 127 patch positions on your synth.
Live application: Use the (4) ZONES to set up four different patches, use the ZONE SWITCHES
to toggle and play one ZONE at a time for particular songs or sections of songs.
Live or Studio application: Use the TRANSPOSE feature to create intervals from layered ZONES
in octaves or harmonies.
Studio application: Again, use multi-record on your sequencer but this time with a split patch
set up on your SL-880 record two or more parts at once, Bass and comp or chords and melody.
The point is, get creative and innovative using all your new possibilities.

Studio, Scoring to Picture application: Perhaps your sequencer might be locked to video via
SMPTE. Set up a split patch with all Orchestral elements on the SL-880, perform and play in a
more live sense while watching picture. Jump to another sound as the picture inspires you
while recording all your performances simultaneously to the sequencer in multi-record. After
recording you’ll have each of your instruments parts recorded on it’s own track, now you can
go back and edit or elaborate on your improvisation to picture. If your sequencer doesn’t record
separate MIDI channels to separate tracks simultaneously you can always filter by channel parts
after recording to separate your to individual tracks for editing.

SECTION 6.

Charts:
Useful Charts and Graphics

Included on the following two pages are 2 identical copies of a template for you to write down
the settings for the patches you come up with. These are included so you can build a library
of your favorite patches and settings. Carefully tear or cut out one of the copies and feel free
to run it through a copy machine to make more blanks for yourself. If you require more call,
in the USA, Music Industries Corp. at 1(800) 431-6699.

Patch Name: ______________

Description: ______________

Comments: __________________________________________________
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—————————————————————————

“SPLIT NOTE” KEY RANGE FOR

ZONE#1

LOW NOTE ________

HIGH NOTE ________

——————————————————————————————————————
—————————————————————————
“SPLIT NOTE” KEY RANGE FOR

ZONE#2

LOW NOTE ________

HIGH NOTE ________

——————————————————————————————————————
—————————————————————————

“SPLIT NOTE” KEY RANGE FOR

ZONE#3

LOW NOTE ________

HIGH NOTE ________

——————————————————————————————————————
—————————————————————————

BLANK PATCH PARAMETER

CHART:

Model SL-880 Studio

Logic Master Controller

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ENGLISH

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