Soundtoys EchoBoy User Manual

Page 23

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Cheap Tape

A SoundToys original a bright compressed tapey effect.

Memory Man

Warm low-bandwidth chorus echo, modeled after the Electro-
Harmonix Memory Man delay pedal.

DM-2

THE guitar echo sound, modeled after the classic Boss DM-2
guitar pedal.

TelRay

The ultra-dark liquid sound of vintage oil can echo.

Binsonette

Another SoundToys original, a wonderful warbly, compressed
echo sound, perfect for guitar and keys.

Telephone

The narrowband sound of telephone. This is great on vocals.

AM Radio

Models the compressed medium bandwidth of AM radio.

FM Radio

Ultra-compressed and loud.

Shortwave

Exaggerated long-distance radio sound. Really cool effect on
vocals.

Transmitter

Kind of like a CB radio – distorted and resonant mids.

Digital Delay

Clean Digital.

Analog Delay

Warm and lightly distorted – reminiscent of old rack mount
analog delay processors.

Digital Chorus

The 80’s chorus sound. Really nice on guitar or vocals.

Analog Chorus

Warm chorus, great on anything

CE-1 Chorus

Beautiful classic guitar chorus, modeled after the Boss CE-1 rare
vintage chorus pedal.

Vibrato

True ‘pitch’ vibrato. Great on keys and guitar.

Saturated

Exaggerated tape distortion. Nice on vocals or drums.

Fat

Super warm distorted echos which sound great on guitar.

Distressed

Compressed and distorted echos.

Limited

This one’s got a built-in limiter. Great for hyper-feedback
settings.

Distorted

Lot’s of distortion.

Queeked Cool

multi-band compression effect.

Ambient

Distortion and diffusion. Great for long feedback loops and solo
instruments

Diffused

Great for creating ambient reverb-like echo effects.

Splattered

A cool sort of verby reflection effect.

Verbed

A cheap ‘verb’ after the echo.

As if the above styles weren’t enough, we’ve also given you the power to create your own Echo
Styles. To access the “guts” of EchoBoy, click on the Style Edit button. To find out more about
this, go to the “Creating Your Own Echo Styles” section at the end of this manual.

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