Omnia Audio Omnia.9 User Manual

Page 47

Advertising
background image

K?<&EGLK$ D<K<I8LKFD8K@:8CCP 8;ALJKJ8JE<<;<;N?<E:?8E><J8I<D8;<KFK?<&EGLK$ 

*8O@DLD $8@E FI K?<&EGLK$ /8K@FKF8::LI8K<CP I<Y<:K ?FN DL:? I8E><@J8M8@C89C<9<CFN

threshold.

R The Attack control determines the speed with which the Input AGC acts to reduce audio above

threshold. Lower settings represent slower attack speeds and allow more audio to pass

unprocessed by the Input AGC into subsequent processing stages. Higher settings result in faster

attack speeds and allow less unprocessed audio to enter subsequent sections. Because all of

,DE@8 WJGIF:<JJ@E>JK8><J8I<KFJFD<<OK<EKGIF>I8D ;<G<E;<EK GLKK@E>8:KL8C D<8JLI<JF=

K@D<FEK?<J<:FEKIFCJNFLC;9<GF@EKC<JJ 8E;JFK?<ELD9<IJFEK?<M8I@FLJKK8:B 8E;/<C<8J<

controls throughout are simply relative numbers.

R The Release control determines the speed with which the Input AGC increases audio below

K?I<J?FC;  )FN<I J<KK@E>J GIFM@;< JCFN<I I<C<8J< JG<<;J  N?@C< ?@>?<I J<KK@E>J I<JLCK @E =8JK<I

release speeds.

R The Target control sets the target output level of the Input AGC. A lower setting results in a lower

FLKGLK C<M<C  N?@C< ?@>?<I J<KK@E>J GIFM@;<8 ?@>?<I FLKGLK C<M<C  1?@J @J J@D@C8I KF 8 KI8;@K@FE8C

“threshold” control when the levels are below the target.

R The Gate Threshold and Freeze Threshold controls work together to determine the points at

N?@:?K?<I<C<8J<I8K<F=K?<&EGLK$ JCFNJ9P8=8:KFIF=>8K<K?I<J?FC; FI=I<<Q<J8CKF><K?<I

=I<<Q<K?I<J?FC; 1?<I8E><F=K?<J<:FEKIFCJ@J ; KF; )FN<I J<KK@E>JD<8EJK?<8L;@F

DLJK;IFG KF8CFN<I C<M<C9<=FI<K?<I<C<8J<JG<<;JCFNJFI =I<<Q<J %@>?<IJ<KK@E>J D<8EJK?<

audio doesn’t have to drop as much in level before the input AGC gain slows down or stops. Using

higher settings when employing faster Input AGC release speeds can keep the audio from being

@E:I<8J<;KFFHL@:BCPFI KFFDL:? ;LI@E>HL@<K<IG8JJ8><JFI G8LJ<J &=K?<;@JGC8P@JJ@Q<;8E;

:FEX>LI<;@E JL:? 8 N8P K?8K K?<&EGLK$ D<K<I @JJ?FNE M<IK@:8CCP  8 $8K< :FE;@K@FE N@CC 9<

@E;@:8K<;9P8;@D ;8IBI<;98I8KK?<9FKKFDF=K?<D<K<I #I<<Q<:FE;@K@FEN@CC9<@E;@:8K<;9P8

brighter dark red bar.

R 1?<&EGLK$ =<8KLI<J8=LCCP 8;ALJK89C<  98E;Sidechain Equalizer N?@:?8CCFNJPFLKFD8B<

it more or less sensitive to particular frequencies. When the controls are not set to cut or boost any

=I<HL<E:P K?<&EGLK$ I<8:KJKFK?<=LCC 8L;@FJG<:KILD 4?<E J<KKF:LKFI9FFJK8 G8IK@:LC8I

I8E><F==I<HL<E:@<J K?<&EGLK$ 9<:FD<JC<JJJ<EJ@K@M<:LK FIDFI<J<EJ@K@M<9FFJK 

&EJFD<<8IC@<IJF=KN8I<M<IJ@FEJ K?<J@;<:?8@E". N8JEFK8;ALJK89C<@KN8JJ@DGCP<E89C<;FI

;@J89C<; #FII<=<I<E:< K?<T?@;;<EU-". J<KK@E>JN<I<8 F:K8M< N@;<:LKF=;8K%Q8E;

8 F:K8M< N@;<:LKF=;8K%Q 

&E8;;@K@FE 8E8JJFIKD<EKF=GI< :FEX>LI<;XCK<IJ8I<8M8@C89C< @E:CL;@E>8)FN-8JJ#@CK<I 8%@>?

-8JJ#@CK<I 88E;-8JJ#@CK<I 8+FK:?#@CK<I 8)FN0?<C=". 8E;8%@>?0?<C=".

R The Type;IFG;FNED<EL;<K<ID@E<JN?8KKPG<F=".FIXCK<I@J<DGCFP<;

R The Frequency slider is used to set the center frequency for each band. The range of this

:FEKIFC@JKF %Q

R The Width slider determines how much audio above and below the center frequency will also

be affected by any boosts or cuts in gain. The range of this control is 0.0 to 10.0 octaves in one-

K<EK?F:K8M<@E:I<D<EKJ )FN<IM8CL<JGIFM@;<8E8IIFN<IJ?8IG<I 9FFJKFI:LK N?@C<?@>?<I

values provide a wider (gentler) boost or cut.

Chapter 9: FM Menu - Processing for FM

47

Advertising