Analog monitor outputs – Studio Technologies 76DA V.4.12 User Manual

Page 12

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Issue 9, May 2014

Model 76DA/77 User Guide

Page 12

Studio Technologies, Inc.

for Surround

full-level digital audio signal source that
is post-SRC and input delay in the signal
chain.

Post-Fader Surround Digital Monitor
Output
The post-fader surround digital monitor out-
put channels are designed for connection
to digital inputs on audio amplifiers associ-
ated with monitor loudspeakers. Alternately,
they could be connected to the inputs of
loudspeakers that contain integrated ampli-
fiers with digital audio input capability.

Post-Fader Stereo Digital Monitor
Output
The post-fader stereo digital monitor output
channels are intended to support a stereo
loudspeaker system, either by connecting
to the digital input of an amplifier associ-
ated with a set of loudspeakers or directly
to a set of amplified speakers that provide
digital inputs.

Analog Monitor Outputs

The connector labeled Analog Monitor
Outputs provides access to the Model
76DA’s 6-channel (5.1) surround and
2-channel stereo analog monitor outputs.
The surround analog monitor output chan-
nels are intended to connect to analog
inputs associated with the surround loud-
speaker system incorporated in a facility.
The stereo analog monitor output allows
support for a secondary set of stereo moni-
tor loudspeakers.

The analog monitor output channels are
designed for connection to audio amplifiers
associated with monitor loudspeakers or
to the inputs of loudspeakers that contain
integrated amplifiers. The analog monitor
outputs are electronically balanced and
will perform optimally when driving loads
of 2000 (2 k) ohms or greater. In most ap-
plications 3-pin male XLR connectors will
be used to interface with the inputs on the
associated amplifiers or amplified speakers.
In this case the + terminal would go to pin 2
of the XLR, the – terminal to XLR pin 3, and
the shield terminal to XLR pin 1.

Balanced operation of the analog monitor
outputs is the preferred connection method
but unbalanced operation does not pose a
problem. To connect to an unbalanced load
connect the + terminal as signal high, and
only the Model 76DA’s shield terminal as
the signal low/shield. Leave the – terminal
unconnected. For correct unbalanced
operation, it is important not to connect
– and shield together.

The wiring scheme used by the D-sub-
miniature connector complies with that
made popular by TASCAM with their DA-88
product. A wiring assembly prepared for
the Model 76DA’s analog monitor outputs

TASCAM® Signal

Signal

Connections

Channel High (+)

Low (–)

Shield

Pre-Fader L/R

1

24

12

25

Pre-Fader C/SUB

2

10

23

11

Pre-Fader LS/RS

3

21

9

22

Stereo Input C Direct 4

7

20

8

Post-Fader L/R

5

18

6

19

Post-Fader C/SUB

6

4

17

5

Post-Fader LS/RS

7

15

3

16

Post-Fader Stereo

8

1

14

2

Notes: 1) All signals transformer-coupled digital audio;

selectable for balanced or unbalanced AES3

compatibility.

2) Connector type on Model 76DA is 25-pin female

D-subminiature (DB-25F). Installer must provide male

(DB-25M). Connector uses 4-40 threaded inserts for

locking with mating plug.

3) Wiring scheme follows TASCAM DA-88 convention.

Standard DA-88-type wiring harnesses are directly

compatible, with the possible exception of 4-40 screw

threads being required.

Figure 4. Connections for Digital Monitor Outputs

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