FujiFilm FUJICOLOR SUPERIA AF3-151E - Manual

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AF3-151E
C O L O R N E G A T I V E F I L M S
[CH]
(A)
1. FEATURES AND USES
FUJICOLOR SUPERIA X-TRA 400 [CH] is a daylight-
type ISO 400 color negative film that incorporates 4th
Color Layer and the newly developed Super Fine-∑
(Sigma) Grain Technology to achieve high image qual-
ity when printed on FUJICOLOR papers.
• Fine grain for a high-speed
film, providing no loss of
image quality even in
large-size enlargements
• High sensitivity that allows
images to be captured
even under insufficient
light conditions
• Vibrant and dynamic reds,
blues, and yellows
• Violets and a variety of
greens with enhanced
fidelity
• Smooth, beautiful and
naturally depicted skin
tones
• Extremely sharp depiction
of all aspects of the
subject, from overall form
to textural details
• Accurate color reproduc-
tion even under fluores-
cent lights
• Precisely maintained gray
balance throughout, from
the brightest highlights to
the deepest shadows
• Excellent Grain
Quality
• High Speed and
Wide Exposure
Latitude
• Vibrant,
Natural Color
Reproduction
• Excellent
Skin Color
Reproduction
• Excellent
Sharpness
• Excellent Exposure
Suitability even
under Fluorescent
Lighting
• Excellent Gray
Balance
Features Results
2. SPEED
It requires no color-compensating filters when used
under daylight conditions or with an electronic flash.
Light Source Speed Filter
Daylight ISO 400/27° None
Tungsten Lamps
ISO 100/21°*
LBB-12**
(3200K) (or Wratten No.80A)
* Indicates the effective speed resulting from designated filter use.
** Fuji Light Balancing Filter
3. EXPOSURE GUIDE
Use an exposure meter for exposure determination. If a
meter is not available, refer to the following table.
Daylight Exposure Guide Table
Light
Conditions
Lens
Aperture
Shutter
Speed (sec.)
Seashore
or Snow
Scenes
under
Bright
Sun
f/22
Bright
Sunlight
f/16
Hazy
Sunlight
f/16
Cloudy
Bright
f/11
Cloudy
Day or
Open
Shade
f/8
1/500 1/250
NOTES • The foregoing settings are for 2 hours after sunrise
and 2 hours before sunset.
• Provide lens openings 1/2-stop smaller during the
summer and 1/2-stop larger during the winter.
• Excessively bright (or dark) or backlighted subjects
may require plus or minus 1-stop lens opening ad-
justments.
Low Light Exposure Guide Table
Light
Conditions
Lens
Aperture
Shutter
Speed (sec.)
Fine
Weather
Daytime
Indoor
Scenes
f/2.8 to 4
1/60
Nighttime
Indoor
Scenes
(under
Fluorescent
Light)
f/2 to 2.8
1/30
Evening
Scenes
f/2.8 to 4
1/60
Night
Scenes
f/2 to 2.8
1/30
NOTE Since light intensities for indoor and night scenes vary
widely from location to location, the data above
should be used only as a guide.