Track a level switch, Track a trim control, Track b inputs – MACKIE Big Knob Studio Command System User Manual

Page 10: Track b level switch, Track b trim control, Daw mix, Daw mix level switch, Daw mix trim control, Phono, Phono trim control

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BIG KNOB

BIG KNOB

10

2-TRACK A Level Switch

This two-position switch sets the input level of the

2-TRACK A inputs to either +4 dB (balanced input)

or –10 dB (unbalanced input). Use the +4 dB setting

for professional equipment operating at the +4 dBu

standard, and use the –10 dB setting for consumer

equipment operating at the –10 dBV standard.

2-TRACK A Trim Control

This control adjusts the input sensitivity of the

incoming 2-TRACK A signal by ±10 dB (unity at

center detent). This allows for precise level matching

between the various incoming 2-track sources, which

often do not have output level controls of their own.

2-TRACK B Inputs

These stereo 1/4-inch balanced/unbalanced inputs

are fed by the outputs of the second external 2-track

recorder. If a mono signal is plugged into the LEFT

input only, it is automatically routed to both LEFT

and RIGHT inputs.

2-TRACK B Level Switch

This two-position switch sets the input level of

the 2-TRACK B inputs to either +4 dB (balanced)

or –10 dB (unbalanced). Use the +4 dB setting for

professional equipment operating at the +4 dBu

standard, and use the –10 dB setting for consumer

equipment operating at the –10 dBV standard.

2-TRACK B Trim Control

This control adjusts the input sensitivity of the

incoming 2-TRACK B signal by ±10 dB (unity at

center detent). This allows for precise level matching

between the various incoming 2-track sources, which

often do not have output level controls of their own.

DAW MIX

These stereo 1/4-inch balanced/unbalanced in-

puts are fed by the master mix output of the DAW,

usually the DAW outputs 1-2. If a mono signal is

plugged into the LEFT input only, it is automatically

routed to both LEFT and RIGHT inputs.

DAW MIX Level Switch

This two-position switch sets the input level of the

DAW MIX inputs to either +4 dB (balanced input) or

–10 dB (unbalanced input). Use the +4 dB setting

for professional equipment operating at the +4 dBu

standard, and use the –10 dB setting for consumer

equipment operating at the –10 dBV standard.

DAW MIX Trim Control

This control adjusts the input sensitivity of the

incoming DAW MIX signal by ±10 dB (unity at center

detent). This allows you to precisely fine tune the

incoming level of the DAW MIX input so it matches

the signal level of other incoming 2-track sources.

PHONO

These stereo RCA unbalanced inputs are fed by the

outputs of a turntable with a moving-magnet cartridge

(MM). These inputs have a built-in precision RIAA

preamplifier that provides the equalization and gain

required for a phono-level signal to return it to a

proper line-level signal.

This allows you to playback vinyl records and dub

them to a 2-track recorder, as well as send the

phono signal to the input of the DAW for archiving/

restoration/CD burning.
Note: Two RCA shorting plugs are provided, which

should be plugged into the PHONO inputs when they

are not being used. This terminates the inputs and

reduces the noise floor should you accidentally push

in the PHONO INPUT SOURCE SELECT button.

PHONO Trim Control

This trim control adjusts the input sensitivity of

the incoming PHONO signal by ±10 dB. This allows

you to precisely fine tune the incoming level of the

PHONO input so it matches the signal level of other

incoming 2-track sources.

The PHONO input does not need a +4/–10 level

switch since a phonograph is always at a consumer

signal level, unlike tape decks and soundcards,

which could be –10 or +4, depending on the model.

PHONO Grounding Lug (GND)

This small grounding lug allows you to connect the

grounding wire from an attached turntable. This

prevents ground loops and hum from showing up in

the phono source’s audio signal.

DAW PHONES MIX INPUT

These stereo 1/4-inch balanced/unbalanced inputs

allow connection of a second stereo mix from the

DAW for a custom headphone mix.

POWER

ON

AC SELECT

220-240V

100-120V

BAL/UNBAL

MONITOR

A

2-TRACK

A

2-TRACK

B

OUTPUTS

DAW

OUTPUT

PHONES

AMP

STUDIO

BAL/UNBAL

+

4

dB

-10

dB

+

4

dB

-10

dB

+

4

dB

-10

dB

+

4

dB

-10

dB

+

4

dB

-10

dB

BAL/UNBAL

L

R

DAW

PHONES

MIX INPUT

-10dB

+4dB

MONITOR

B

BAL/UNBAL

L

R

-10dB

+4dB

MONITOR

C

BAL/UNBAL

L

R

L

R

L

R

L

R

L

R

L

R

L

R

-10dB

+

4dB

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

-10dB

+

4dB

BAL/

UNBAL

BAL/

UNBAL

(MONO)

RIAA

SOURCES

2-TRACK

B

(MONO)

-10dB

+

4dB

-10dB

+

4dB

-10dB

+

4dB

DAW

MIX

PHONO

GROUND

TALK BACK

FOOT

SWITCH

L

R

BAL/

UNBAL

(MONO)

L

R

L

R

L

R

-10dB

+

10dB

-10dB

+

10dB

-10dB

+

10dB

-10dB

+

10dB

2-TRACK

A

U

U

U

U

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