Mode four amplifier, Dave navarro, John 5 – Marshall Amplification JCM800 Series User Manual

Page 14

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“My Marshall has enabled me to do away with half of
what I used to use on the floor.You’ll find that your old
distortion and boost pedals will make great gifts.”

Dave Navarro

(Jane’s Addiction)

Marshall Amplification

Product Catalogue

25

Mode Four

Amplifier

MF350 Head

MF280A/B Cabs

MF400A/B Cabs

24

Marshall Amplification

Product Catalogue

Attitude, stunning good looks and an incredible

350 Watts of brutal yet toneful power set the Mode Four

apart from all other amps. Add to this an arsenal of great

sounds, a wide range of professional features plus

groundbreaking, state-of-the-art hybrid technology and you

have a Marshall like no other.

MF350 Head

A great many amplifiers have claimed to offer both classic and modern

tones but, in truth, have fallen well short of the mark. The Mode Four

boasts a true ‘Two Amplifiers in One’ design. Not only do AMP 1 and

AMP 2 have totally separate valve pre-amplifier circuits, each housing an

ECC83 valve, the MF350’s power amp section completely reconfigures

itself depending on the AMP selected. Each AMP type having two

footswitchable modes further enhances flexibility. AMP 1 offers CLEAN

and CRUNCH, while AMP 2 has OD1 and OD2.

AMP 1

AMP 1 is the ‘Classic’ side of the Mode Four. Whenever it is selected, the

power amp reconfigures to recreate the unmistakable sound and feel of

our world-renowned 100 Watt valve power stage. Using this as a sonic

foundation, AMP 1 produces Marshall’s legendary open roar. While

AMP 1’s CLEAN mode produces incredibly dynamic, three-dimensional

clean and bluesy crunch sounds, selecting CRUNCH unleashes the

unbridled aggression and bite of a 2203, but with levels of gain never

imagined in 1981 when the much-lauded JCM800 series was first

launched.

AMP 2

In terms of sheer gain, AMP 2 takes over from where AMP 1 leaves

off, with OD2 mode offering more gain than any other Marshall

before! Thanks to the Mode Four’s radical design, the player retains

maximum control while searching for the ultimate high-gain signature

sound. Whenever AMP 2 is selected, the Mode Four’s power section

reconfigures itself so it can create the deep, dark-sounding, loose

low-end that has proven so popular with many modern players who

either detune regular 6-strings, or use 7-string or detuned Baritone

guitars.

The Power to Deliver

Due to the unique design and the incredibly high headroom the

Mode Four’s 350 Watt power stage possesses, AMP 2’s impressively

wide bottom-end not only has the sound and feel of an all-valve amp,

it also doesn’t lose definition at high stage volumes – a problem that

many other similar sounding, all-valve systems suffer from.

Fully Loaded for Professional Use

The Mode Four was created with the professional guitarist in mind and

boasts a host of carefully thought out features that have been designed

to give you the ultimate in flexibility and control. These include:

Separate controls for Gain, Volume, Bass, Middle and Treble for

AMP 1 and AMP 2.

Individually voiced Scoop switches for AMP 1 and AMP 2.

AMP 2 has a 3-way Tone Matrix control, enabling you to dramatically

reconfigure the all-important mids, while leaving the Bass, Middle and

Treble controls fully interactive with each other.

Footswitchable, built-in Digital Reverb with separate controls for AMP 1

and AMP 2.

Parallel to Series FX Loop with individual FX Level controls for AMP 1

and AMP 2.

Footswitchable Solo Level control that gives a level increase across all

four modes of up to 6dB (i.e. twice the volume).

Master controls for Resonance, Presence and Volume.

Tuner Out jack with a front panel Tuner Mute switch for ‘silent’ tuning.

XLR and 1/4" jack Emulated Line Outputs.

Load Protection Circuitry.

6-way LED Footcontroller supplied.

MF280 & MF400

As you’d expect from the company that invented the ‘stack’, the

Mode Four Series 4x12"s benefit from our forty years of cabinet

expertise. The MF280 (280 Watt) and MF400 (400 Watt) cabinets

are specially engineered to reproduce the balanced mid range

and huge bottom end that are a pre-requisite for modern

rock/metal sounds, and being 3 inches taller than standard 1960

cabinets a Mode Four stack is truly a sight to behold!

We recommend the MF280A (angled) and B (base) for a full

stack and the MF400A or B for a half stack.

From left to right:

MF350 Head

MF400B Cab

MF350 Head

MF280A Cab

MF280B Cab

FEATURES

MF350

Output (RMS)

350 Watts into 8 Ohms

‘Two Amps in One’ Design

Number of Footswitchable Modes

4

Independent Tone Network (per Amp)

Scoop Switches

(x 2)

Tone Matrix (AMP 2)

Footswitchable Solo Boost

Footswitchable Digital Reverb

Series/Parallel FX Loop

Emulated Line Out (XLR & 1/4jack)

Tuner Output

Tuner Mute

6-Way LED Footcontroller (supplied)

PEDL-10032

Footcontroller Extension Lead (not supplied)

CBLA-00043

Dimensions (mm)

750 x 310 x 215

Weight (kg)

24

AMPLIFIER SPECIFICATION

FEATURES

MF280A&B

MF400A&B

Speaker Configuration

4 x 12

4 x 12

Power (RMS)

280 Watt

400 Watt

Impedance

16 Ohm

8 Ohm

Dimensions (mm)

768 x 820 x 365

A - 762 x 820 x 365

B - 766 x 820 x 365

Weight (kg)

42.5

41.5

CABINET SPECIFICATION

“I want to use the best amps in the world.
That’s why I’ll be with Marshall forever!”

John 5

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