Front panel, Power-up, And now looking to the rear panel – Mesa/Boogie Mark IV Amplifier User Manual

Page 6: Page 2

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First familiarize yourself with the layout of the Front Panel and plug in the FU-3 footswitch which is located on the underside of the
chassis towards the middle and about mid way forward of the Rear Panel. It’s not necessary to unplug the footswitch after use, simply
use the handy fasteners on the left and right side of the cabinet and attach the unit for storage and/or transport. Make sure the
footswitch cable is connected properly. It has three pins and a key way for mating itself to the female portion of the jack. When
connected, the FU-3 footswitch will allow you to select the various modes,FX Loop and the EQ of the MARK IV remotely. If you don’t
have the footswitch available, the MODE SELECT rotary switch located on the Rear Panel will access the modes. Before we get too
specific about each control, let’s audition the 3 modes with some basic settings just to get your new MK IV up and purring.

Connect your favorite guitar to the instrument input jack. Flip the power switch to the FULL POWER position while leaving the
STANDBY switch set to “STANDBY.” ( It is always a good idea to practice this start up procedure as at least 30 seconds of warm-up
time lessens the shock on cold power tubes, thus prolonging their life substantially.) Using the example below as a guide, set the
controls as illustrated and flip the STANDBY switch to the “ON” position. Listen to the three distinctly different modes using either the
footswitch or the MODE SELECT rotary switch as mentioned in the previous paragraph.

In the example above the Graphic E.Q. is set in the ever so popular “V” curve shape. Most players tend to use it more in the LEAD
channel, finding the RHYTHM channel plenty sweet by itself without the use of the E.Q. ( for more information regarding the E.Q., see
page 6 .)

Viewing from the back of the amp, locate the REVERB control and set to 3. Set E.Q. switch to the center position (OFF). LEAD
VOICING switch should be set to HARMONICS and ignore the FX Loop for now. Set the power amp switches to SIMUL-CLASS and
TRIODE.

After these initial settings have been made, plug in your guitar (STANDBY switch “ON’) and play! Use the three MASTER controls to
balance volumes between the modes. Use the OUTPUT LEVEL to raise or lower overall playing loudness. Dial in the PRESENCE
controls to set brightness before adjusting TREBLE controls. RHYTHM 1 should be clean, fat, warm and round. RHYTHM 2 should be
near maximum crunch, yet it’s capable of many other sounds as well. The LEAD mode should have searing sustain even though its
GAIN control is only around half. Now lets get into understanding the controls and the way they interact to obtain the sounds you want
to hear.

FRONT PANEL:

POWER-UP:

PULL SHIFT

PULL SHIFT

PULL BRIGHT

MASTERS

LEAD GAIN

RHY2 GAIN

R1+R2 MID

LEAD MID

R1+R2 BASS

LEAD BASS

R1 TREBLE

LEAD TREBLE

RHY1 GAIN

INPUT

PULL BRIGHT

INSTRUMENT

PULL FAT

PULL FAT

EQ

LOOP

OUTPUT LEVEL

STANDBY

TWEED

POWER

M

ARK

IV

R2 TREBLE

LEAD DRIVE

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ON

FULL

POWER

PRESENCE

CONTROLS

80

240

750

2200

6600

SILENT

RECORDING

(PULL)

R2

R1

LD

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LEAD GAIN

Pull FAT out

RHY 1 pull

BRIGHT out

RHY 2 pull

FAT out

Pull Shifts for

R2, Lead Out

LEAD DRIVE

Pull BRIGHT out

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Pull

And now looking to the Rear Panel...

PAGE 2

3A SB

FUSE

GRAPHIC EQ

REMOTE

REVERB

RECORDING

SLAVE (D.I.)

POWER AMP

TRIODE

SIMUL-CLASS

HARMONICS

PENTODE

CLASS A

SPEAKERS

8 OHM

4 OHM

4 OHM

MID GAIN

LEAD VOICING

LEVEL

OUT

117 VOLTS

60 HZ

4 AMPS

EXTERNAL SWITCHING JACKS

RHYTHM 1

RHYTHM 2

LEAD

CLASS A/ SIMUL FX LOOP

EQ

REVERB FTSW.

SATELLITE EQ

SATELLITE SEND

SATELLITE

AUTO
RHY 2

AUTO
RHY 1

FX LOOP ON

FULL TIME

FX LOOP

SWITCHING

RHY 2

LEAD

AUTO ASSIGN SWITCHES

FX SEND

RETURN

RETURN

LEFT

(STEREO)

RIGHT

(MONO)

SIG.
PATH

MODE SELECT

LEAD

EX SW

FT SW

RHY 1

RHY 2

HANDBUILT IN PETALUMA CALIFORNIA

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ON / OFF AUTO R2

OFF

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