Cascade model fifteen, Level, What you measure, what to do – Infinity CASCADE FIFTEEN User Manual

Page 14

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11

CASCADE MODEL FIFTEEN

The pointer on the slider will indicate the correct width setting.
Enter this number in the Width field of the Measurement
Template. In our example, the width is 12.5%.

It is not realistic to expect a perfect fit. Acoustic

measurements encompass the behavior of not only the speakers
but of the room and its contents as well. Reflected energy,
standing waves and ambient noise all add their part. Determining
the best width setting nearly always requires compromise.

Level

This setting will define the amount (level) you want to reduce the
peak, in decibels.

The R.A.B.O.S. level adjustment is limited to attenuation only, and
is adjustable from 0dB to –14dB. After optimization, the
R.A.B.O.S. equalizer will eliminate the largest low-frequency peak;
therefore, the broadband bass level can be increased without
overpowering the midrange frequencies. R.A.B.O.S. applies this
compensation automatically.

You will use the Width Selector as an aid in determining the
correct level setting. Place the Width Selector as described
above and adjust it to the correct width. Observe the first
frequency point on the high-frequency side of the peak that no
longer follows the slope of the Width Selector. In this example,
this point is 56Hz. Calculate the average level of the readings
from 56Hz up to 100Hz – in this example, that’s 10 data points.

Whenever your answer has a remainder, always round down
(disregarding the negative [–]) to the next whole number.

In our example, you would enter “9” in the attenuation field.

This may not be the best method in all cases.The next section
contains several other examples.

What You Measure, What to Do

As stated earlier, it is not possible to anticipate the effect of
every possible listening environment. However, most residential
sound rooms share many characteristics, and their dimensions
fall into a range that make some response irregularities far more
likely than others. On the following pages are examples of what
you may encounter. Following each example is a strategy for
correction. Compare your measurement results with the following
examples. Find the one that best fits your graph and follow the
instructions presented for that scenario.

Remember, when looking for a match, look at the

descriptive characteristics, not any specific frequency or level.
Each of these examples can occur at any frequency, bandwidth
and level. It is unlikely that your test results will be exactly as
depicted in these examples.

Example 1.

Single Dominant Peak

This is the most common result of speaker/room interaction.

Apply the Width Selector as described in Figure 13. Align the
center line of the Selector over the center of the peak, as shown
in Figure 14. Now adjust the Selector until you have achieved the
“best fit.”The slider now points to the correct bandwidth setting.
In this example, the frequency is 43Hz and the best-fit width is
12.5%. Fill in the Width and Frequency fields provided on the
template.

Determine the appropriate level using the technique described
earlier. In this example, –9dB would be best. Enter the level in
the field provided.

Skip to the “Adjusting the R.A.B.O.S. Equalizer” section on page 14.

56Hz

63Hz 66Hz

72Hz 77Hz

80Hz

85Hz

90Hz

95Hz 100Hz

–9

–10

–8

–9

–10

–9

–8

–10

–10

–9

92

÷

10 = –9.2

Figure 15. Single dominant peak

Cascade 15 OM 9/14/05 2:35 PM Page 14

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