JL Audio 505 User Manual

Page 4

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any amplifier in the system beyond the maximum

level established during the procedure outlined in

Appendix B (page 22). Doing so will result in

audible distortion and possible speaker damage.

Be aware that all three “Input Sens.”

adjustments will have to be made, regardless of

how many input cables are feeding the amplifier.

These controls will allow you to set the

appropriate relative levels for the Front, Rear and

Subwoofer Channels.

Subwoofer “Input From” Selection:

Located to the left of the “Input Voltage” switch

in the “Subwoofer Channel Control Section” is a

switch labeled “Input From”.This switch

determines whether the subwoofer channel will

receive its input from the “Independent Sub Input”

jacks (select “Ind.”) or from a sum of the Front and

Rear Channel Input signals (select “F+R”) or from

the Front Channel Inputs only (select “Front”).

Front and Rear Channel “Input Mode” Selection:

Located to the right of the rear channel input

jacks in the “Rear Input Section” is a switch

labeled “F/R Input Mode”.This switch determines

whether the front and rear channels will receive

their input independently (select “4ch”) or from

the “Rear Input Section” jacks only (select “2ch”).

CROSSOVER CONTROLS

Crossovers are groups of individual electronic filters

which allow only certain frequency ranges to pass

through them by attenuating frequencies outside

the selected range.These filters allow the user to

specify what frequency range will be sent out of

each channel section of the amplifier.This, in turn,

allows each speaker system to only reproduce a

range of frequencies it is well-suited for, resulting in

reduced distortion and improved fidelity.

Front Filter Section:

1) “Filter Mode” Control: Located in the “Front

Filter Section”, this switch allows you to configure

the Front Channel filter into one of three modes:

“Off” (Defeated): Defeats the filter for the Front

Channels completely, allowing the full range of

frequencies present at the inputs to feed that pair

of channels.This is useful for systems utilizing

outboard crossovers or requiring full-range

reproduction from these channels.

“BP” (Bandpass): Configures the Front Channel

Filter to attenuate frequencies above the selected

filter frequency and below the frequency selected in

the Rear Channel High-Pass Filter. This creates a

true bandpass filter well-suited for driving mid-bass

or mid-range speakers in a tri-amplified system (see

page 18 for details).

“HP” (High-Pass): Configures the Front Channel

Filter to attenuate frequencies below the selected filter

frequency. Useful for connection of component

speakers to the front channels in a bi-amplified system.

2) “Filter Slope” Control: This switch allows you

to select from two filter slopes.

“12dB”: Configures the Front Channel Filter to

attenuate frequencies below the selected filter

frequency at a rate of 12 dB per octave

(Butterworth alignment).

“24dB”: Configures the Front Channel Filter to

attenuate frequencies below the selected filter

frequency at a rate of 24 dB per octave (Linkwitz-

Riley alignment).

Fro

Input

Low

Le

Front Filter Section

Freq. Range

x1/x10

HP Filter Freq.(Hz)

Filter Slope

12dB/24dB

Filter Mode

Off/BP/HP

5Wx2)

JL AUDIO 500/5

7

TURN-ON LEAD

The 500/5 uses a conventional +12V remote

turn-on lead, typically controlled by the source unit's

remote turn-on output.The amplifier will turn on

when +12V is present at its “Remote” input and

turn off when +12V is switched off. If a source unit

does not have a dedicated remote turn-on output,

the amplifier’s turn-on lead can be connected to

+12V via a switch that derives power from an

ignition-switched circuit.

The 500/5's “Remote” turn-on connector is

designed to accept 18 AWG – 8 AWG wire. 12

AWG is more than adequate for this purpose.

To connect the remote turn-on wire to the

amplifier, first back out the set screw on the top of

the amplifier, using the supplied hex wrench. Strip

1/2 inch (12mm) of wire and insert the bare wire

into the receptacle on the front panel of the

amplifier, seating it firmly so that no bare wire is

exposed. When using smaller wire, it may be

necessary to strip 1 inch of insulation from the wire

and fold the bare wire in half prior to insertion.

While holding the wire in the terminal, tighten the

set screw firmly, taking care not to strip the head of

the screw and making sure that the wire is firmly

gripped by the set screw.

INPUT SECTIONS

Three left/right pairs of RCA type jacks are

provided for input (one pair for the subwoofer

channel, one pair for the rear channels and one pair

for the front channels).There are several ways that

the 500/5's inputs can be configured. Please read the

“System Configurations” section of this manual (page

14) carefully to determine the proper configuration

for your application.

Input Voltage Range:

A wide range of signal input voltages can be

accommodated by each of the 500/5's input stages

(200mV – 8V).This wide range is split up into two

sub-ranges, accessible via switches located in each

input section of the amplifier. Be aware that

each input section's “Input Voltage” switch

will have to be configured, regardless of

how many inputs are actually feeding the

amplifier.

The “Low” position on each “Input Voltage”

switch selects an input sensitivity range between

200mV and 2V.This means that the Input Sensitivity

rotary control will operate within that window. If

you are using an aftermarket source unit, with

conventional preamp-level outputs, this is most likely

the position that you will use.

The “High” position on each “Input Voltage”

switch selects an input sensitivity range between

800mV and 8V.This is useful for certain high-output

preamp level signals as well as speaker-level output

from source units and small amplifiers.To use

speaker-level sources, splice the speaker output

wires of the source unit or small amplifier onto a

pair of RCA plugs.

The output of the amplifier will decrease for a

given input voltage when the “Input Range” switch

is placed in the “High” position. Conversely, the

output will be higher with the switch in the “Low”

position. While this may sound counter-intuitive, it is

consistent with the descriptions above.

Input Sensitivity Adjustment:

Located next to the “Input Voltage” switch in

each input section is a rotary control labeled “Input

Sens.” Once the appropriate “Input Voltage” range

has been selected, this control can be used to

match up the signal level of the system to produce

the desired level from the amplifier. Rotating the

control clockwise will result in higher sensitivity

(louder for a given input voltage). Rotating the

control counter-clockwise will result in lower

sensitivity (quieter for a given input voltage.) Be

aware that each of the three “Input Sens.”

adjustments will have to be made, regardless of

how many inputs are feeding the amplifier.These

controls will allow you to set the appropriate

relative levels for the subwoofer channels and the

front and rear channels.

To properly set each set of amplifier channels

for maximum clean output, please refer to

Appendix B (page 22) in this manual. After using

this procedure, you can then adjust the relative

level of each channel pair by adjusting the input

sensitivity downward on either or both channel

pairs, if they require attenuation to achieve the

desired system balance.

Do not increase the “Input Sens.” setting for

I M P O RTA N T

!

I M P O RTA N T

!

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JL AUDIO 500/5

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