The concept of sound processing in the eq magix – Sound Performance Lab EQ MAGIX User Manual

Page 7

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7

The concept of

sound processing

in the EQ MAGIX

The P

ARAMETRIC

section serves to

perfectly remove any interference

frequency or to accentuate a

frequency band as desired.

With its enormous range of

frequencies from 14 Hz to 58 kHz,

the EQ MAGIX provides a plat-

form for experimentation as to

the extent signal portions affect

the tonal perception range beyond

the spectrum of the human

hearing.

The EQ MAGIX features a P

ARAMETRIC

constant-Q equaliser combined

with the V

ITALIZER

equaliser system.

This combination of filters is based on the assumption that after succes-

sful microphoning, you only have one problem zone, if at all, that needs to

be equalized. The V

ITALIZER

provides all the necessary circuitry for creative

sound post-processing.

The EQ MAGIX provides a total of five processing ranges: the PARAME-

TRIC section provides an extremely variable and efficient filter for selective

intervention in a frequency band between 14Hz and 58kHz. The VITA-

LIZER interferes in 4 frequency ranges, bass, mid and treble, along with the

harmonical frequencies pertaining to even and odd overtones.

The P

ARAMETRIC

section is designed to clean up one »problem zone« in

the frequency spectrum of the recorded instrument or voice perfectly,

without prejudicing the sound and without being inhibited by technical

limitations of standardized filter circuits.

The equalizer used in the EQ MAGIX is based on the state-variable filter

type (SVF). Its function is phase-stable and neutral right down to 14 Hz in

the infra-sonic range. The frequency range extends right up to breath-

taking 58 kHz! This initially provides a platform for experimentation as to

whether interspersing digital components affects into the tonal perception

range (16 Hz to 20 kHz) or whether the removal thereof can remedy sound

problems directly or indirectly.

We have visited sound engineers and producers in European and

American audio and video studios and they pointed out to us that inter-

spersing the sample rate frequencies (44.1 kHz and 48 kHz) into the audio

path is a well-known phenomenon, whereby subharmonic elements can

be transposed right down into the audible frequency spectrum.

Furthermore, this can result in audible phase shifts and distortions. With

the EQ MAGIX, you can now influence these frequencies actively. The

sample rate frequencies are inscribed on the scale (44, 48).

All frequencies can be boosted or cut with 15dB throughout the entire

frequency range from 14 Hz to 58 kHz. The P

ARAMETRIC

equalizer of the EQ

MAGIX is based on the constant-Q principle and provides an »inversible

Q«, i.e. when filtering out a interfering frequency, inverting the boost value

to a cut value results in precise inversion of the bandwidth (Q) values.

Notching is also possible with a variable R

OLL

-O

FF

to select a

STEEP

or

GENTLE

filter slope.

Extremely flexible bandwidth defintion allows Q values between 0.6

and 3.6.

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