Link electronic PRO SM-1 - Manual (Page 8)

PRO SM-1
C R O S S F A D E R S E C T I O N
8. The Active Crossfader achieves clean segues
between the two input channels. "Hard left" selects
Channel 1. "Hard right" selects Channel 2. With the
crossfader centered, both channels are live and equal.
Use the crossfader for fast and seamless segues from one
selected channel to the other.
N o t e : The crossfader is user replaceable in case of
failure. Simply unscrew the four lower faceplate screws
and remove the faceplate. Then unscrew the 2 screws
which hold it in place, lift it out and disconnect it’s
cable. Re-attach the new crossfader and screw the
face plate back onto the unit.
9. The Crossfader Slope Adjust changes the rate at
which the two channels are blended together. Rotating to
the left creates an even blend of the two channels as the
crossfader is moved. Rotating all the way to the right
creates a very quick activation of the opposing channel’s
signal by the crossfader. This “QUICK CUT” is ideal for
creating transform effects with the crossfader.
10. The Crossfader Direction (Hamster) Toggle
allows the DJ to reverse direction of the crossfader. By
reversing direction, Channel 2 will be on the left and
Channel 1 will be on the right. This toggle may also be
used for various tricks.
MIC CONTROL SECTION
11. The Microphone Connector is located on the front
panel of the unit. It is a combination XLR-1/4” Neutrik™ jack
for flexible connection options.
12. The Microphone Gain Control adjusts the input
level of the microphone.
13. The Microphone Treble and Bass Controls are for
EQing your voice through the sound system. The controls
are detented for setting tone "flat". For best results, use a
dynamic cardioid microphone.
H E A D P H O N E / C U E S E C T I O N
14. The Channel Cue Slider allows the DJ to preview
the pre-fader channels material through headphones.
Sliding this to the left plays the left channel and sliding to
the right plays the right channel. You can blend them in
the headphones by moving the slider to the middle.
15. The Program Mix (PGM) Control allows the DJ to
blend the cue slider material with the final output mix
including the microphone. When the knob is rotated left all
you will hear is the channel slider cue source, when the
knob is all the way right you will hear what is playing through
the master output. By blending, beats can be matched
exactly and segues can be smooth when a song is cued.
16. The Headphone Volume control adjusts the level
of the music heard in the headphones
17. The Headphone Connectors are located on the
front of the unit. Connect headphones with a standard 1/4"
stereo plug or 1/8” mini headphone plug.
M A S T E R / B O O T H O U T P U T S E C T I O N
18. The Stereo Master Fader controls the overall
output level. This signal is sent to both the balanced and
unbalanced master output on the rear panel.
19. The Z o n e L e v e l controls speaker volume for a
remote zone or booth monitors. If you do not use booth
monitors the output can feed a tape deck, another
amplifier, another mixer or a satellite speaker system. The
Zone output can be switched from stereo to mono by use
of a special rear panel switch. This enables the use of just
one speaker to hear the total output.
N o t e : This can also be used to supply line level audio to a
lighting controller or to lights that are sound activated.
20. Stereo Output Level Indicator. This inner dual
12-segment stereo meter tracks the output level.
It is OK to be “in the red” occasionally, as long as +5dB or
+8dB are not constantly lit. Set the crossover, equalizer
and power amp inputs to avoid distortion at each step in
the audio chain. Proper attention to the meter results in the
best possible sound without any audible distortion.
21. Power-On LED indicates power is supplied to the
mixer and the rear panel power switch is set to the on
position.
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