Peavey Ecoustic 110 - Manual (Page 7)

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To return to the factory effects settings‚ press and hold both the EFX ADJUST and REV/DLY controls
while turning the amp on.
S Se elle ecctt ((FFrre eq q O Ou utt ™ ™ A An nttii--ffe ee ed db ba acck k)) ((1111 & & 2 24 4))
The built-in Freq Out anti-feedback system‚ armed with sophisticated algorithms‚ distinguishes
between music and feedback‚ seeking and destroying the feedback‚ leaving your music alone. The
Select switch is a 3-position control: Off‚ narrow and wide. If you experience feedback‚ press the
Select switch once. If this eliminates the feedback‚ try pressing the Select switch (High Q setting)
again which narrows the effected range of frequencies. If the feedback doesn’t return‚ leave the switch
in this position. If it does return‚ press Select twice more to return to the Low Q setting. The
corresponding LED will light when activated.
Note: This setting is global. It will not change with a preset change.
E Ecco ou ussttiicc 11110 0:: 4 4--b ba an nd d ·· E Ecco ou ussttiicc 11112 2:: 5 5--b ba an nd d E EQ Q ((112 2‚‚ 116 6‚‚ 2 25 5 & & 2 29 9))
The Instrument and Microphone channels on the Ecoustic 110 include a 4-band‚ active EQ. The
Ecoustic 112 Instrument and Microphone channels include a 5-band‚ active EQ.
LLe evve ell ((113 3‚‚ 117 7‚‚ 2 26 6 & & 3 30 0))
The Level control on both the Instrument and Microphone channels sets the volume level.
LLo ow w Z Z IIn np pu utt ((114 4 & & 2 28 8))
Use this input with low impedance microphones or high-level sources equipped with a male XLR
connector.
H Hiig gh h Z Z IIn np pu utt ((115 5‚‚ 118 8‚‚ 2 27 7 & & 3 311))
Use with high impedance microphones or high-level sources equipped with a 1/4" phone plug.
P Ph ha asse e R Re evve errsse e ((119 9 & & 3 32 2))
Reverses the phase of an instrument signal in order to reduce feedback or to correct out-of-phase
conditions. This is especially useful when using both the Instrument and the Microphone input on a
single instrument.
E EFFX X A AD DJJU US ST T P PA AR RA AM ME ET TE ER RS S
Doubler Wet/dry mix
Phaser Rate increase
Chorus Rate increase/depth decrease
Rotary Speaker Rate increase